Print journalism and comic books share a history. Without the former the latter would never have come to be. Journalists have also had their own struggle—the phrases “New Journalism” and “literary journalism” attempt to distinguish what’s used to wrap fish … Read more
[First in a series looking at storyboarding projects.] You’re almost done with your six-month narrative project, and you realize you have no multimedia elements. Or worse, you’re coming upon the end of your story, and there’s… no end. If you’re interested … Read more
In WIRED’s recent take on Somali piracy, “Cutthroat Capitalism”, Scott Carney leads what might have been a meaty narrative straight into a piranha-infested stream. What he pulls out on the other side is a story picked clean of … Read more
Lots of the usual suspects are blogging and Tweeting about Joel Achenbach’s piece on the future of narrative journalism that ran in yesterday’s Washington Post. Some people have excerpted interesting bits, such as the great line that “story is … Read more
In some places, the spoken story is thriving. Last night in Boston, that 800-pound gorilla of live storytelling, the Moth, put on an event at the Tsai Performance Center. We decided to ask the Moth’s executive and creative director, Lea … Read more
Long-form, narrative radio—that’s the kind of radio many of us dreamed of doing when we started in the business, before so much of it, for reasons both economic and stylistic, became four and a half minute chunks of airtime filled with cribbed wire copy and bad phone tape.
Both the great radio and the mediocre get turned, often auto-magically, into mp3 files. Those files are then shoved up on a server somewhere for you to download to your PodBerry or whatever.
And this, they will tell you, is podcasting. Or maybe they'll be a little more truthful and call it "time-shifted" radio. I sometimes call it "recycled" radio.
Don't get me wrong. Recycling is good for the audio planet. It's great that you can stuff hours of potentially quality stuff onto a minuscule machine, encase it in a sweat-proof nano-sheath, and then listen to Diane Rehm while climbing Mount Kilimanjaro. (Remember, the p-o-d in podcasting stands for "Portable On Demand.")
But that's it? Seriously? That's all we are going to do with this amazing new medium for engaging unsuspecting audiences in unexpected ways?
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Between following firefighters in Washington’s Methow Valley and the semi-nomadic Sami reindeer herders of Norway, Sara Joy Steele and Benjamin Drummond are putting together some innovative chapters in their large-scale documentary project Facing Climate Change, in which … Read more
Last week, the USC Annenberg School on Communications and the National Arts Journalism Program hosted a National Summit on Arts Journalism at USC, highlighting five public projects that are exploring new trends in journalism. One of the … Read more
A doctor gets shingles and finds himself unable to refuse unnecessary tests. A student in need of a kidney transplant gets offers of marriage, with free health care attached. A national news celebrity struggles … Read more
Yesterday, The Harvard Crimson posted a fascinating article about the power of storytelling. Neal Baer, executive producer of Law & Order: Special Victims Unit, spoke at a Radcliffe event titled “Telling Tales: How Stories Can Make a Difference.” The … Read more