The new student of multimedia narrative may want to bookmark an archive on digital storytelling by Mark Berkey-Gerard, who teaches online journalism at Rowan University, in New Jersey. A Columbia Graduate School of Journalism alum who has won … Read more
In the book Good Prose: The Art of Nonfiction, memorably instructive lines for writers and editors appear on almost every page. The authors, the Pulitzer-winning nonfiction writer Tracy Kidder and his longtime editor, … Read more
The story of the week has been Roger Angell’s “This Old Man” (The New Yorker). Angell is widely revered for his body of work on baseball, but in this piece he writes about what it’s like to be 93. As … Read more
Editor’s note: A great many Storyboard readers are journalism students, nonfiction writers in MFA programs, and beginning reporters and editors. The pieces in our Essays on Craft department cater to such readers but also to veterans in search of … Read more
Editor’s note: Let’s start the year with a bit of narrative alignment. From the Storyboard archives, here’s the Orange County Register’s Rebecca Allen, explaining the difference between a news feature and narrative: A narrative is a story … Read more
Part 1 of our recap of the Tow Center’s recent Future of Digital Longform conference, at Columbia University, included Emily Bell talking with Joe Sexton about the impact of “Snow Fall” on narrative storytelling; and Chartbeat’s Josh … Read more
Because why not a list of lists? Ten* worth the storyteller’s time: 1) “130 years of must-read stories for digital journalists: five lessons from 1851-1981,” by Abraham Hyatt, editor of the data-driven investigative project Oakland Police Beat. His top … Read more
I got the deal to write my first book, Horsemen of the Esophagus, in the spring of 2005. I’d been out of college for four years at that point, writing for two different magazines, in Cincinnati and Philadelphia. I’d never … Read more
Editor’s note: The Oregonian’s Simina Mistreanu spoke to seven narrative journalists for her University of Missouri School of Journalism master’s project on longform. Last week, we ran her setup, a piece on the challenges and importance of longform narrative, plus her conversations … Read more
Editor’s note: The Oregonian’s Simina Mistreanu spoke to seven narrative journalists for her University of Missouri master’s project on longform. On Tuesday, we ran her setup, a piece on the challenges and importance of longform narrative. Thursday, we published her conversations … Read more