This is an efficient, well-paced and engaging series about the kidnapping of an 88-year-old woman. It’s a crime tale, classic in its what’s-gonna-happen-next unfolding. It’s plot-driven—this is not a piece with in-depth character development—but that’s to be expected in a … Read more
How did Lewan make this piece so compelling? Of course, the event is made for narrative. But notice how it’s told: the relentlessly active verbs—the ship teeters and plunges, the water sloshes, the windspeed spikes—the vivid detail, strong pace and … Read more
