Storytelling in 2013 — how will it look? Sound? How will it make us feel? Who’s doing it well, and how did they do it, and what can the rest of us learn from that work? We’re looking forward to finding … Read more
We welcomed thousands of new visitors to Storyboard this year along with exciting new contributors and content. Thanks for your continued enthusiasm and support, … Read more
Four years ago, I began looking into the case of Cameron Todd Willingham, who was put to death by the state of Texas in 2004. Willingham had been convicted of murdering his three children in 1991 after they died in … Read more
We’re coming upon our 65th installment of “Why’s this so good?” – in which notable journalists dissect their favorite pieces of narrative journalism. Our contributors have included Adam Hochschild, Jennifer B. McDonald, Eli Sanders, Megan Garber, Wesley Morris, Ann … Read more
There is a good reason tales of true crime make for great magazine writing. Or good procedural TV shows and movies. It’s because the best stories of unsolved murders, missing persons, or outrageous heists have the ring of fiction. They … Read more
We may as well begin the way Gary Smith begins – with a question, and near the end. Why is it that when you finish reading “Lying in Wait,” Smith’s 2002 profile of coach George O’Leary, you feel the … Read more
Keeping you up to date on all things Storyboard, we’d like to point out a few new features and opportunities you might have missed. *We’ve collected some of our most popular chats with narrative storytellers in a new #longreads … Read more
From the moment David Grann’s “The Yankee Comandante” appeared in the New Yorker last week, readers have been talking about it, hailing the tale of political intrigue, passion and heartbreak as unforgettable, as a masterpiece. Grann, of course, … Read more
It’s been a volatile few months for ethics in storytelling, what with the unprecedented “This American Life” retraction of monologist Mike Daisey’s Apple story, and with the unfurled furor over John D’Agata’s anti-accuracy screed in The … Read more
It’s been a little over a year since The Atavist debuted as a groundbreaking digital platform for long-form multimedia storytelling. Narrative journalists had been bemoaning the shrinking storytelling acreage, so this app-based venue was met with substantial interest. “E-books … Read more