What we’re reading, in the world of narrative journalism, essays and academia: Long Mile Home: Boston Under Attack, the City’s Courageous Recovery, and the Epic Hunt for Justice, by Scott Helman and Jenna Russell. Helman and Russell, Boston Globe reporters, … Read more
Don’t talk about the weather. Don’t ask anybody where they’re from or where they went to school. Oh, and don’t worry if they don’t want salad: Chances are they’ve eaten more vegetables in the last week than you have. That’s … Read more
If you’ve been following 40 Towns, the new literary journalism magazine produced by Jeff Sharlet’s creative nonfiction students at Dartmouth, you’ve seen longform stories about ex-cons, a roadside motel, a bead shop, a diner, a homeless … Read more
Leslie Jamison‘s “Fog Count,” which ran in the spring issue of The Oxford American, is hard to pin down. Its subject matter is, ostensibly, jailed ultramarathon runner Charlie Engle — whom Jamison has profiled once before — but it’s also … Read more
Pinned this week, for your storytelling pleasure: Interviewland: Wells Tower talked to Bookforum about alternating between the worlds of journalism and fiction. When asked what he makes of longform’s new popularity he said, … Read more
In good fiction, the reader absorbing a compelling narrative never notices the writer as intermediary. In nonfiction, that translator’s presence is inevitable. Since the former is the ideal relationship with the reader, the more you can bring that non-point of view to nonfiction narrative, the better. In other words, as a writer, no matter what the hell you’re writing, do your best to kill your ego, even if those are mutually exclusive ideals. (i.e.: He could have told the story of the effect of that atomic bomb on an innocent city by telling us what he found when he went over there, and it would have been a good piece. Instead he gave the story over to the six survivors, and it earned a place in immortality.) Read more