In good fiction, the reader absorbing a compelling narrative never notices the writer as intermediary. In nonfiction, that translator’s presence is inevitable. Since the former is the ideal relationship with the reader, the more you can bring that non-point of view to nonfiction narrative, the better. In other words, as a writer, no matter what the hell you’re writing, do your best to kill your ego, even if those are mutually exclusive ideals. (i.e.: He could have told the story of the effect of that atomic bomb on an innocent city by telling us what he found when he went over there, and it would have been a good piece. Instead he gave the story over to the six survivors, and it earned a place in immortality.) Read more
Big buzz earlier this month when Michael Graff‘s story on the suicide of former University of Maryland basketball walk-on Earl Badu hit SB Nation‘s longform wing: You know the wish can’t come true, but people say it all the … Read more
Excerpts from an August 2009 interview with Michael J. Mooney, reporter for Florida’s New Times, whose stories won a slot in the Best American Crime Reporting and Best American Sports Writing anthologies for 2009: When did you first get interested … Read more