Joan Didion finds herself counting syllables. If this is part of her brilliance, and it is, it’s largely because of who she is as an observer; meticulous but detached, intimate yet removed. These paradoxes are how she draws you in. Read more
At the recent City & Regional Magazine Association conference in Atlanta, Esquire’s Tom Junod and Texas Monthly’s Pamela Colloff interviewed each other for an audience of narrative lovers. Atlanta magazine’s Tony Rehagen kindly recorded the session exclusively … Read more
In good fiction, the reader absorbing a compelling narrative never notices the writer as intermediary. In nonfiction, that translator’s presence is inevitable. Since the former is the ideal relationship with the reader, the more you can bring that non-point of view to nonfiction narrative, the better. In other words, as a writer, no matter what the hell you’re writing, do your best to kill your ego, even if those are mutually exclusive ideals. (i.e.: He could have told the story of the effect of that atomic bomb on an innocent city by telling us what he found when he went over there, and it would have been a good piece. Instead he gave the story over to the six survivors, and it earned a place in immortality.) Read more
When Amy Wallace profiled then-Variety editor Peter Bart for Los Angeles magazine, she took on issues of access, personality, misdirection, industry politics, journalism and retaliation. To write about a guy who’s been called “the most hated … Read more
Storytelling prize season wound down last night with the presentation of the National Magazine Awards, the Pulitzers of the American magazine world. Texas Monthly’s Pamela Colloff took the “Ellie” for her two-part narrative series on a man wrongly imprisoned for 25 years … Read more
Sarah Stillman’s “The Invisible Army” (The New Yorker, June 2011) told the stunning and deeply reported tale of the 70,000 “third-country nationals” who work on U.S. military bases in war zones: … Read more
Awards season continues with the announcement of the American Society of Magazine Editors’ finalists for the National Magazine Award. The organization this week honored 62 publications in 23 categories, with winners to be revealed in New York on May … Read more
The first time most people fall for E.B. White – certainly the first time I did – they are 6 or 7 or 8. In 1952, “Charlotte’s Web” made him the New Yorker writer with the largest grade-school fan base. I … Read more
The subject of death has proven inexhaustible, from the Greeks to Hamlet to E.B. White’s pig. In “The End,” Ben Ehrenreich examines The Inevitable from an unexpected postmortem angle, and with a clever bit of a wink. The story explores death … Read more
The Wall Street Journal’s Russell Adams wrote a story last week about four grown men who’ve spent the past 23 years playing tag. Their shenanigans started in high school, and the men … Read more