This series shows how narrative can illuminate complex processes—in this case the machinations of policymaking. It’s a clear, entertaining account of Republican mavericks trying to pass a bill popular among constituents, but thorny in Congress. This is a success story—until … Read more
[Note: The following is an edited transcript from a talk at the 2001 Nieman Conference on Narrative Journalism. It first appeared in the Spring 2002 issue of Nieman Reports.] The ending is something special. The ending is the last word. Read more
Kimber’s story about Tom Martin, a devoted detective, has a strong sense of direction—even though his piece is based on interview. We thought this piece a good example of writing a profile—as opposed to a true narrative—while avoiding a pitfall … Read more
Born to an unwed mother, Frank Beazley was given up to an orphanage as a newborn. His difficult life rolled out from there. We appreciated the historical detail the series provides. Miller emphasizes Beazley’s resilience, generosity and optimism. These themes … Read more
We have to admit that the topic of this story, its high drama, made us a bit wary. Still, the series is well worth reading because it is an engrossing tale. Rose’s pregnancy, it seems to us, makes the story: … Read more
This piece is a good example of how to write about emotional topics without mawkishness or sentimentality. A woman has lost her husband; she must now face the challenges of hanging onto her farm and caring for her young son. Read more
By clicking the link below, you’ll find four selections from Shaw’s intermittent series about the transformation of a Minnesota farm into a high-end subdivision. Shaw follows the project from the farm’s last harvest through the process of planning and building … Read more
This is a effective example of how narrative can flesh out, give dignity to, people who feel they are, as a central character says in this story, “just a number in someone’s book.” The story also uses narrative to make … Read more
This is a lyrical short memoir that manages to be touching without being overly sentimental. We found the mix of direct scene and reflection effective. We offer one suggestion. Imagine what one small change could do: Remove the “would” ‘s … Read more
We admired the plainness of this story’s language. It is as if the horror of the event stripped Henninger’s voice of all pretense. He gives a blow-by-blow account, with summation in only one paragraph. The piece was published the day … Read more
