A few years ago an intern did a study of the writing that showed up in our newspaper. He ran our stories through a computer program that measured the reading level you would need to understand each piece. It turned … Read more
[Editor’s Note: These comments are adapted from a talk given by Michael Pollan at the 2006 Nieman Conference on Narrative Journalism.] Book by book, project by project, it’s usually hard to say who you are as a writer or what … Read more
“Life means suffering.” According to the Buddha, that is the first of four “noble truths” that together define human existence. I’m not much of a Buddhist (I’m a lapsed Catholic who owns a rarely used meditation pillow), but as a … Read more
[Editor’s note: This essay first appeared on transom.org, “a showcase and resource for new public radio.”] Dear Transomistas, It was daunting to have Jay Allison’s invitation to be a guest on Transom.org, because I’m no insider to radio production. I … Read more
[Note: The following is an edited transcript from a talk at the 2001 Nieman Conference on Narrative Journalism. It first appeared in the Spring 2002 issue of Nieman Reports.] The ending is something special. The ending is the last word. Read more
For an ambitious young reporter who loved writing stories, it sounded like the assignment of a lifetime. My editor, Joel Rawson, wanted daily narratives for the front page of The Providence Journal. The idea also seemed impossible. I’d written narratives … Read more
Getting stuck next to a compulsive talker is one of the worst things that can happen at a dinner party or on a long bus ride. Even worse: the self-centered compulsive talker. What makes this experience so awful? The person’s … Read more
Many—surprisingly, perhaps most—of the stories we read for this site are about, or involve, children we worry about: They're alone, ill, miseducated, lost in the system, abandoned or abused. Mark Kramer calls such pieces "endangered children" stories. They're attractive to newspaper writers because children are of universal concern to the community. Portray a child in a fix and everyone cares. But precisely because the dilemmas of children are emotionally fraught, writers run the risk of veering into mawkishness—a tack that's too easy and that often evades the social complications at the heart of any story. We asked Barry Siegel, director of the literary journalism program at UC Irvine, to offer some advice. Read more
We call lots of things “stories” in American journalism, but very few of them are true narrative storytelling. Most journalistic accounts are reports, whose primary purpose is to pass along information to readers. Reports require certain writing strategies to help readers … Read more
There are stories everywhere. Any idea could probably be a story if you had enough time and stamina, but I try to expedite the process a bit. I read whatever I can: lots and lots of newspapers, magazines, literary journals … Read more
