Journalists should report the truth. Who would deny it? But such a statement does not get us far enough, for it fails to distinguish nonfiction from other forms of expression. Novelists can reveal great truths about the human condition, and … Read more
Editor’s Note: This is an edited transcript of comments made by Gay Talese at the Nieman Narrative Journalism Conference at Harvard University in Cambridge, Mass., on Dec. 1, 2001. It was first published in the Spring 2002 issue of RiverTeeth. Read more
Note: The following is an edited transcript of a talk by Jim Collins at the 2001 Nieman Conference on Narrative Journalism. It was published in the Spring 2002 issue of Nieman Reports. These are things I have learned from my … Read more
Editor’s Note: This essay originally appeared in the Fall 2000 issue of Nieman Reports, the Nieman Foundation’s quarterly magazine. Narrative writing is returning to newspapers. No one has added up the reallocated column-inches to quantify this change, but there are … Read more
The doctor at the Army base had a young corporal as his assistant to keep track of the paperwork. The young man was curious about the doctor’s affairs. He was always asking questions and one morning said, “In … Read more
We’ve heard it to the point of numbness: “Get people into your stories. Tell it in human terms.” Who’s to argue? Yup, human beings are more interesting than paper creeping through a bureaucracy. Yup, real human experiences bring abstractions to … Read more
Think of the great characters from fiction. Gustave Flaubert’s romantic and unfocused Emma Bovary. Mark Twain’s spunky Huck Finn. Larry McMurtry’s lusty Gus McCrae. Margaret Mitchell’s willful Scarlett O’Hara. Each is memorable because each is a whole person, … Read more
This essay is based on presentations given in advanced feature writing seminars the author taught at The Washington Post. On Thinking About Intimate Journalism It’s the kiss of death for anyone aspiring to do intimate journalism to think … Read more
“It wasn’t by accident,” wrote Hemingway, “that the Gettysburg Address was short.” His 1932 letter to his editor, Maxwell Perkins, went on to lament every writer’s tendency to write too long, drifting beyond the story’s natural focus. He … Read more
When writers, readers, English teachers, librarians, bookstore people, editors, and reviewers discuss extended digressive narrative nonfiction these days, they’re fairly likely to call it literary journalism. The previous term in circulation was Tom Wolfe’s contentious “New Journalism.” Coined in the … Read more
