We’ve heard it to the point of numbness: “Get people into your stories. Tell it in human terms.” Who’s to argue? Yup, human beings are more interesting than paper creeping through a bureaucracy. Yup, real human experiences bring abstractions to … Read more
Think of the great characters from fiction. Gustave Flaubert’s romantic and unfocused Emma Bovary. Mark Twain’s spunky Huck Finn. Larry McMurtry’s lusty Gus McCrae. Margaret Mitchell’s willful Scarlett O’Hara. Each is memorable because each is a whole person, … Read more
This essay is based on presentations given in advanced feature writing seminars the author taught at The Washington Post. On Thinking About Intimate Journalism It’s the kiss of death for anyone aspiring to do intimate journalism to think … Read more
“It wasn’t by accident,” wrote Hemingway, “that the Gettysburg Address was short.” His 1932 letter to his editor, Maxwell Perkins, went on to lament every writer’s tendency to write too long, drifting beyond the story’s natural focus. He … Read more
When writers, readers, English teachers, librarians, bookstore people, editors, and reviewers discuss extended digressive narrative nonfiction these days, they’re fairly likely to call it literary journalism. The previous term in circulation was Tom Wolfe’s contentious “New Journalism.” Coined in the … Read more
