In the book Good Prose: The Art of Nonfiction, memorably instructive lines for writers and editors appear on almost every page. The authors, the Pulitzer-winning nonfiction writer Tracy Kidder and his longtime editor, … Read more
On Thursday, we ran Part 1 of Robert Caro’s conversation with the Washington Post’s Anne Hull, on reporting, sacrifice, sources and finding book projects. Today, in the second and final part, Caro talks about his reporting and writing process, how to … Read more
Hearing Robert Caro talk about his work is like getting a master class in longform journalism. A Nieman Fellow, Class of 1966, Caro is the bestselling biographer of Robert Moses and Lyndon B. Johnson, … Read more
The expansive projects that Washington Post Executive Editor Marty Baron announced today is good news for narrative journalists in two ways: The paper plans to expand the Sunday magazine (we hope it resurfaces as a home for deeply … Read more
Buzz Bissinger’s “The Killing Trail” — his unremittingly bleak 1995 account of “fag-bashing” in Texas — was his first story for Vanity Fair. (He is still a contributor, and has a story in the February … Read more
If only we could start an international narrative-journalism conference crawl — sort of like a pub crawl, but with pencils and notebooks — here’s how we’d map out the year: “Power of Narrative: Staying Savvy, Skilled and Solvent in Journalism’s Wired … Read more
Columbia University’s Tow Center for Digital Journalism hosted a daylong Future of Digital Longform conference recently, and it was full of good stuff. (They kindly invited Storyboard to appear on a panel, and although we couldn’t make it, … Read more
Editor’s note: The Oregonian’s Simina Mistreanu spoke to seven narrative journalists for her University of Missouri master’s project on longform. On Tuesday, we ran her setup, a piece on the challenges and importance of longform narrative. Thursday, we published her conversations … Read more
Editor’s note: The Oregonian’s Simina Mistreanu spoke to seven narrative journalists for her University of Missouri master’s project on longform. On Tuesday, we ran her piece on the challenges and importance of longform narrative — go here for the … Read more
Editor’s note: First, an introduction, by Jacqui Banaszynski, the Knight Chair in Editing at the Missouri School of Journalism, and winner of the 1988 Pulitzer Prize for feature writing: Whenever aspiring young journalists ask … Read more
