EDITOR’S NOTE: This essay is shared with our friends at The Poynter Institute by request of the author. * * * By Roy Peter Clark Early last October I received a small package from England, … Read more
Pull up Roy Peter Clark’s website and you’ll see it leads with a reference to him as “America’s writing coach.” The source of that comment isn’t specified, but could likely be claimed by any number of the thousands … Read more
Not long ago, I came out of a theater in Tampa, Florida, and heard someone calling my name. It was Adan Martinez, a young college student who had just performed with a local symphony. He still wore his tux, … Read more
The opening paragraph of Rebecca Solnit’s new LitHub essay, “Why the President Must Be Impeached,” is a single sentence, 88 words long. It is one of the shortest paragraphs in a 20-paragraph soliloquy about her take on the … Read more
Because why not a list of lists? Ten* worth the storyteller’s time: 1) “130 years of must-read stories for digital journalists: five lessons from 1851-1981,” by Abraham Hyatt, editor of the data-driven investigative project Oakland Police Beat. His top … Read more
We’ve configured this year’s Best of Storyboard roundup by category* this year, as opposed to ranking them by readership, though we’ll say that in terms of pageviews the Gay Talese/Elon Green annotation of “Frank Sinatra Has a Cold” walloped … Read more
@GlobeMoskowitz One of the most riveting stories to emerge from the Boston Marathon bombing coverage was the Boston Globe piece, by Eric Moskowitz, about “Danny,” the young Chinese entrepreneur … Read more
Narrative isn’t synonymous with long-form work. A narrative journalist doesn’t need thousands of words or loads of reporting and writing time to tell a memorable story. For you hunter-gatherers of short-form models, consider: … Read more
In Part 3 of our recap of Romania’s “Power of Storytelling” conference on narrative journalism, radio producer Starlee Kine talked about story forms and themes; Esquire‘s Mike Sager talked about listening, and about suspending disbelief; and Pulitzer winner Alex Tizon talked about writing … Read more
It’s been a volatile few months for ethics in storytelling, what with the unprecedented “This American Life” retraction of monologist Mike Daisey’s Apple story, and with the unfurled furor over John D’Agata’s anti-accuracy screed in The … Read more
