Sentence structure

“Hazel Morse was a large, fair woman of the type that incites some men when they use the word ‘blonde’ to click their tongues and wag their heads roguishly.”

By Kari Howard• One Great Moment• March 8, 2017

Why is it great? With this opening line to her famous short story, Parker does so many things: She gives us an image of Hazel that’s Kodachrome clear: I can almost hear the old-fashioned pop of the flash. She also establishes Hazel … Read more

“The only break from the darkness comes when the sub drops through clusters of bioluminescence that look like stars in the Milky Way.”

By Kari Howard• One Great Moment• February 22, 2017

Why is it great? This piece about mining companies exploring the bottom of the ocean creates an upside-down outer space. The whole story is a kind of extended metaphor between the exploration of space and the exploration of the … Read more

“What I can hear are occasional coyotes and a constant chorus of ‘Baby the Rain Must Fall’ from the jukebox in the Snake Room next door, and if I were also to hear those dying voices, those Midwestern voices drawn to this lunar country for some unimaginable atavistic rites, ‘rock of ages cleft for me,’ I think I would lose my own reason.”

By Kari Howard• One Great Moment• February 1, 2017

Why is it great? This essay has a more famous line, which is being quoted a lot these days: “Then is when we join the fashionable madmen, and then is when the thin whine of hysteria is heard in … Read more

“A big pair of garden shears sat on the counter, as foreboding as Chekhov’s gun on the mantel.”

By Kari Howard• One Great Moment• January 25, 2017

Why is it great? Even without context, this line is tremendous. Playfully riffing off Chekhov’s rule that if you introduce a gun in the first act, it absolutely must go off by the third, Solomon transforms a prosaic garden implement into something … Read more

“Frank Sinatra, holding a glass of bourbon in one hand and a cigarette in the other, stood in a dark corner of the bar between two attractive but fading blondes who sat waiting for him to say something.”

By Kari Howard• One Great Moment• January 18, 2017

Why is it great? Yes, we deliberately launched this cool new feature with the first sentence of one of the most famous magazine articles of all time. Go big or go home. Fifty years later, this lede is still … Read more

Inaugurations of a different sort: the launch of two new features on Storyboard!

By Kari Howard• Narrative News• January 18, 2017

In this week of a new president being sworn in, how about a couple of other inaugurations? We at Storyboard are launching two new features this week: an emailed newsletter, and something we’re calling One Great Sentence. Regular readers of the … Read more