A story without sound lies too dead on the page. Imagine “Mrs. Kelly’s Monster,” by Jon Franklin, without the pop … pop … pop of the operating-room sensors. Or Tom Wolfe‘s “The Girl of … Read more
In 1977, Joan Didion told The Paris Review that she always kept in mind one line of poetry, from T.S. Eliot’s “Four Quartets”: “at the still point of the turning world.” I don’t know if Didion … Read more