[Editor’s Note: These comments are adapted from a talk given by Michael Pollan at the 2006 Nieman Conference on Narrative Journalism.] Book by book, project by project, it’s usually hard to say who you are as a writer or what … Read more
This story seems to have followed a recipe for compelling narrative: Take a heroic figure, add a group of “endangered children, let them struggle against great odds. Fold in current social issues and moral context. In the Hollywood version of … Read more
This is a fascinating, moving piece of memoir. We admired the masterly sequencing of the reader’s experience, from evocative scene to background and back to scene. But the background is also plot: Brown the character compulsively gathers information; it’s part … Read more
The efficiency of this piece is remarkable. We thought the use of time and floor numbers a tight and evocative way of both structuring the piece and crystallizing a chaotic event. We found the opening lines particularly strong, along with … Read more
This piece depends on its strong, admirable protagonist, Artie Folse, who refuses to say die. As other homes fester and are torn down around his, he gets to work and, a year after Hurricane Katrina, is close to returning his … Read more
This short narrative tells a wonderful, heartwarming tale; it’s built on essential, particular details; it pursues themes—in this case, of generosity, goodwill and small-town charm. Add Barry’s genius for structuring his reader’s experience, his easy voice, and you’ve got an … Read more
This is a beautiful example of writing well about endangered children. Wilkerson’s voice is at once poised, solemn, compassionate and engaging. The detail she has gathered and included is fine and telling. Her scenes tell us much about her character, … Read more
Wilkerson wrote about Angela Whitiker’s son in her Pulitzer Prize-winning story "First Born, Fast Grown." Twelve years later, she chronicles his mother’s successful struggle to earn a nurse’s degree and move from poverty into the middle class. What makes the … Read more
We like this series for its scrupulous attention to detail. Its descriptive passages pop with verbs; we are right there, walking with the imam as he starts his morning. Elliott balances narrative action and context, reminding the reader what the … Read more
We like the spareness of this story’s telling, the nodding at the theme of human connection, but the stepping back from it, just as the events themselves do. We like the quirky details of Klein and the wonderfully timed line … Read more
