For our second annual Best of Narrative roundup, our selectors reported an anguishing task: so many great pieces, so few berths. Enjoy these top picks from 2013. And Happy New Year! AUDIO … Read more
Because why not a list of lists? Ten* worth the storyteller’s time: 1) “130 years of must-read stories for digital journalists: five lessons from 1851-1981,” by Abraham Hyatt, editor of the data-driven investigative project Oakland Police Beat. His top … Read more
We’ve configured this year’s Best of Storyboard roundup by category* this year, as opposed to ranking them by readership, though we’ll say that in terms of pageviews the Gay Talese/Elon Green annotation of “Frank Sinatra Has a Cold” walloped … Read more
It’s easy, now, to see Lillian Ross’s 1950 New Yorker Profile of Ernest Hemingway for what it is: a masterpiece. But 63 years ago, this wasn’t so obvious. Ross, as one Hemingway biographer put it, was seen by her critics … Read more
Each year, the current class of Nieman Fellows chooses a winner of the Louis M. Lyons Award for Conscience and Integrity in Journalism. Winners have included reporters who’ve put … Read more
I got the deal to write my first book, Horsemen of the Esophagus, in the spring of 2005. I’d been out of college for four years at that point, writing for two different magazines, in Cincinnati and Philadelphia. I’d never … Read more
Editor’s note: The Oregonian’s Simina Mistreanu spoke to seven narrative journalists for her University of Missouri School of Journalism master’s project on longform. Last week, we ran her setup, a piece on the challenges and importance of longform narrative, plus her conversations … Read more
Editor’s note: The Oregonian’s Simina Mistreanu spoke to seven narrative journalists for her University of Missouri master’s project on longform. On Tuesday, we ran her setup, a piece on the challenges and importance of longform narrative. Thursday, we published her conversations … Read more
Editor’s note: The Oregonian’s Simina Mistreanu spoke to seven narrative journalists for her University of Missouri master’s project on longform. On Tuesday, we ran her piece on the challenges and importance of longform narrative — go here for the … Read more
Editor’s note: First, an introduction, by Jacqui Banaszynski, the Knight Chair in Editing at the Missouri School of Journalism, and winner of the 1988 Pulitzer Prize for feature writing: Whenever aspiring young journalists ask … Read more