I’m so excited about this series we’ve just launched on Storyboard called “The Pitch,” in which we try to demystify the unicorn of longform: the story pitch. Contributor Katia Savchuk will talk to writers and editors about their tips and pet … Read more
Magazine pitches are an elusive species. You hear talk of them at journalism conferences and in freelancer forums. You see evidence of their existence in the stories they beget. But it’s rare to catch a glimpse of a specimen in … Read more
Like most journalists today, Britni de la Cretaz is accustomed to being on the receiving end of comments from critical readers and opinionated trolls. As a freelance writer who frequently tackles important and uncomfortable subjects, both about herself and about … Read more
This has been an unsettling week. Who will forget the look on that one Charlottesville marcher’s face, a terrible echo of the hate seen on other faces as Hitler rose to power in Germany and blacks began to win their … Read more
With fewer staff writers at newspapers and magazines, freelance journalists have more opportunities to take on longform features – both on and offline. Q: What would you tell other freelancers who are reluctant to pitch longer pieces? A: I … Read more
The article “Who Killed Julian Pierce?” was unusual on at least three counts. It was the author’s first magazine story. It took nearly 30 years to write. And it came close to solving a murder. “I thought a … Read more
It was a tragic wreck, and dramatic, in a rural Maine way. A Toyota Corolla collided with a milk truck. Milk spilled across the interstate. A man was dead. From this bit of news from January, Portland Press Herald journalist … Read more
Why is it great? This is the first lyric to feature on “One Great Sentence,” and of course it had to be Springsteen. I chose this not because it’s my … Read more
Rich Schapiro is always searching. Whether he’s writing a quick-hit 800-word spot feature for the New York Daily News or a magazine feature that’s taken years to report, Schapiro is on the hunt for deeper meaning — a “character conflict,” … Read more
Daniel Miller’s coverage of the film business for the Los Angeles Times typically involves tracking the latest moves of the industry’s glitzy corporate behemoths. For his five-part series “Selling Stardom,” he dug into Hollywood’s darker side. People have … Read more