Articles

For many of his 30-plus years in the journalism business, Jesse Katz has been covering crime. Back in the early 1990s, his former employer The Los Angeles Times assigned him…

Susan Orlean is storied for her stories. Since 1992 she’s been a staff writer at The New Yorker, and her 1998 book “The Orchid Thief” was made into the movie…

Kathryn Schulz of The New Yorker has pulled off a rare double, winning the Pulitzer Prize in Feature Writing after having earlier won the National Magazine Award in the same category.…

The historian and New Yorker writer on breaking her rule against writing personal essays and why journalists must use history with caution

Mary Roach doesn’t do her homework. She didn’t go to J-school. By her own admission, she’s never quite sure she knows what she’s doing.“I always have the sense that I’m…

Back in 1998, magazine writer Mike Sager was best known for his fearless profiles of drug dealers, crackheads, porn stars, and neo-Nazis. But that year Esquire handed him a very…

In August 2014 Antonio Regalado introduced an almost heretical approach to cancer treatment to the wider world in a feature he wrote for MIT Technology Review. Regalado, the senior biomedicine…

What does Shakespeare have to do with clickbait? How much in common did ancient indigenous peoples have with the Twitter community? Was Dante’s “Inferno” the original “explainer” story?Amy O’LearyThe surprising…

The last time most of us heard of the Winklevoss twins—hell, the first time we heard of them—was in David Fincher’s acerbic 2010 movie, The Social Network. You remember: Tyler…

As journalists use art to bring stories off the page, artists adopt reporting techniques to address social issues