Articles

Kevin Sack on kidney transplants, kickers, the myth of the daily/narrative disconnect and “The Little Mermaid”

Kevin Sack on kidney transplants, kickers, the myth of the daily/narrative disconnect and “The Little Mermaid”

For our latest Notable Narrative we chose Kevin Sack’s “60 Lives, 30 Kidneys, All Linked,” a New York Times story about an unprecedented chain of kidney transplants. We admired the…

Kevin Sack and the amazing kidney chain

Imagine this as a narrative:A man’s child needs a kidney transplant. Despite successfully enlisting an organ donor, the man finds the U.S. transplant network frustrating and ineffective. To spare other…
"Why's this so good?" No. 39: Gay Talese diagnoses Frank Sinatra

"Why's this so good?" No. 39: Gay Talese diagnoses Frank Sinatra

Just shoot me now.That might be a normal journalist’s reaction to news that the subject of a mega-profile for a magazine cover story has declined to be interviewed for the…
Harding in the house: a Pulitzer-winning novelist on rhythm, revision, rejection and a hundred other things

Harding in the house: a Pulitzer-winning novelist on rhythm, revision, rejection and a hundred other things

We promote narrative nonfiction here at Storyboard but occasionally look outside the genre for storytelling inspiration. Paul Harding, who won the 2010 Pulitzer Prize for fiction for his novel “Tinkers,”…
Narrative gold: Eli Sanders and his Pulitzer-winning crime saga

Narrative gold: Eli Sanders and his Pulitzer-winning crime saga

“The prosecutor wanted to know about window coverings. He asked: Which windows in the house on South Rose Street, the house where you woke up to him standing over you with…
"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

Writing about the writing process isn’t easy, for good reason. Turning words into sentences and sentences into scenes is at heart a craft, yet there’s still a certain amount of…
Getting the story: Luke Dittrich and the tornado

Getting the story: Luke Dittrich and the tornado

In Thursday’s post we excerpted nice lines from the five National Magazine Award finalists in feature writing. These included Luke Dittrich’s “Heavenly Father!...,” from Esquire, about survivors of the Joplin,…
The best magazine features of 2011: an ASME sampler

The best magazine features of 2011: an ASME sampler

National Magazine Award judges have a tough job this year as they choose a winner in the features category. There’s the sobering story about a corporate attorney’s mysterious death in…
"Why's this so good?" No. 37: Ben Hecht walks the high wire of voice

"Why’s this so good?" No. 37: Ben Hecht walks the high wire of voice

I love teaching “The Pig” because students, especially narrative nonfiction students, always freak out. “Wait, we can do this?” they want to know.Yes, you can do this and I’d like to…
Shaun McKinnon on deadline narrative, soundtrack inspiration and re-engaging readers in a saturated news story

Shaun McKinnon on deadline narrative, soundtrack inspiration and re-engaging readers in a saturated news story

To follow up on our latest Notable Narrative we flagged down Arizona Republic reporter Shaun McKinnon this week as he boarded a plane from Washington, D.C., back home to Phoenix,…