How Washington Post correspondent Jason Rezaian turned 544 days in an Iranian prison into a story about love, journalism and a broken homeland

Rachel Aviv of The New Yorker uses the narrative of one child in one school to reveal the widespread costs of "separate and unequal"

EDITOR’S NOTE: This is the third of a series of odes that chronicle the legacy newsroom. Each is written from different first-person perspective. Together they create the mumbled narrative of a…

Conference panels can be frustrating things. Several subject experts droning on, absorbed with the minutiae of their own work, sometimes failing to make bigger points, often repeating what other panelists…

In the original context of “The Overstory,” this sentence applies to a young man — a teenager, actually — who tumbles into the little-known language of coding and programming in…

EDITOR’S NOTE: While we did not annotate this project by ProPublica Illinois, we are including it in “Annotation Tuesday” because the story itself, as published, was an innovative example of…

EDITOR’S NOTE: This is the second of a series of odes that chronicle the legacy newsroom. Each is written from different first-person perspective. Together they create the mumbled narrative of a…

Editor’s note: This is another in our Shop Class series. The goal is to break down the work that goes into creating stories, and offer prompts, suggestions or exercises to help you…

Every writer procrastinates. Even John McPhee, one of the most prolific writers of our time. “I’ll go hours before I’m able to write a word,” he has said. “I’ll make tea. I…

EDITOR’S NOTE: For something a bit different, we offer the Monday bonus: an eight-week series (give or take) of poems that chronicle the legacy newsroom. Each is written from first-person…