Story Craft

Building blocks: Scene, detail, character

From the Storyboard archives: tips on three of the fundamentals of narrative, from a trio of accomplished writers and editors. Click through to their full essays, and in the meantime…
September 27, 2012
Paige Williams
"What's on your syllabus?" Narrative professors on what stories and books they assign

“What’s on your syllabus?” Narrative professors on what stories and books they assign

Every narrative journalist can point to a story or a book, or two, that changed their lives, and that made them want to tell true stories. What story does it for…
September 20, 2012
Paige Williams
Writing 9/11: Erin Sullivan on survivors, intros, collaboration, inspiration and the importance of working with what you have

Writing 9/11: Erin Sullivan on survivors, intros, collaboration, inspiration and the importance of working with what you have

We chose Erin Sullivan’s story about a 9/11 survivor as our latest Notable Narrative for the usual reasons − interesting characters; strong, memorable writing − but also because it contained the watermark…
September 14, 2012
Paige Williams

Michael Kruse and the woman who disappeared in her own home

In July 2011, Michael Kruse of the St. Petersburg Times (now the Tampa Bay Times) wrote a haunting story about the “disappearance” and death of a woman named Kathryn Norris. He did it…
August 31, 2012
Paige Williams
The best of Storyboard: What’s that sound?

The best of Storyboard: What’s that sound?

The best stories – even the written ones – have audio. Maybe it’s a sensibility: voice or style, which Ben Yagoda explores in his craft book The Sound on the…
August 30, 2012
Paige Williams

How to tell a story: The Moth

When students pitch their stories I first make them tell me the story out loud. They resist. They want to write it up, polish and perfect it, but I prefer…
August 9, 2012
Paige Williams
"I wanted people who were beautifully imperfect" -- Isabel Wilkerson on finding characters (Mayborn 2012, vol. 3)

"I wanted people who were beautifully imperfect" — Isabel Wilkerson on finding characters (Mayborn 2012, vol. 3)

Isabel Wilkerson closed out the Mayborn by describing the 15 years she spent reporting and writing her book, The Warmth of Other Suns. The book chronicles the migration of 6…
August 3, 2012
Andrew Pantazi
"You will always have work, and it will be the best kind of work" -- Richard Rhodes on writing (Mayborn 2012, vol. 2)

"You will always have work, and it will be the best kind of work" — Richard Rhodes on writing (Mayborn 2012, vol. 2)

Richard Rhodes, the Pulitzer-winning author of The Making of the Atomic Bomb, and of 23 other books, delivered one of the keynotes at this year’s Mayborn Conference for Literary Journalism.…
August 2, 2012
Andrew Pantazi
Jeanne Marie Laskas and Thomas Lake on sportswriting, voice, source love and more (Mayborn 2012, vol. 1)

Jeanne Marie Laskas and Thomas Lake on sportswriting, voice, source love and more (Mayborn 2012, vol. 1)

If you were following the activities out of Grapevine, Texas, last weekend you might’ve seen tweets like this one:And this one:And these:Peter Simek of D magazine recapped this year’s Mayborn Literary Nonfiction…
July 26, 2012
Andrew Pantazi
Narrative + investigative: tips from IRE 2012, Part 2

Narrative + investigative: tips from IRE 2012, Part 2

In Part 1 of our coverage of this year’s Investigative Reporters & Editors conference, Kiera Feldman, a This Land correspondent, rounded up tips on documents and data, the latest in…
July 13, 2012
Paige Williams