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"Why's This So Good?" No. 103: Michael Brick and "Dusk of the Drummer"

“Why’s This So Good?” No. 103: Michael Brick and “Dusk of the Drummer”

This is the second of ten stories Storyboard will post from a new collection honoring Michael Brick [see our 5 Questions on the project], each featuring an introduction by a writer who…
"Why's This So Good?" No. 102: Michael Brick and "A Hipster Quits Williamsburg"

“Why’s This So Good?” No. 102: Michael Brick and “A Hipster Quits Williamsburg”

This is the first of ten stories Storyboard will post from a new collection honoring Michael Brick [see our 5 Questions on the project], each featuring an introduction by a writer…
Annotation Tuesday! Jill Lepore and "The Prodigal Daughter"

Annotation Tuesday! Jill Lepore and “The Prodigal Daughter”

The historian and New Yorker writer on breaking her rule against writing personal essays and why journalists must use history with caution

Annotation Tuesday! Jenna Pirog on Virtual Reality in “The Displaced”

A good story transports its audience to the scene of the action. The classics of narrative nonfiction are memorable because they find the words that put the reader in the…

“Why’s This So Good?” No. 100: Susan Dominus and “Hana”

Refugee children usually appear in the news media because they’ve died in a shocking accident, or they’re seen as a threat to the social order or the security of a…
Best of Storyboard: Reader Favorites for 2014

Best of Storyboard: Reader Favorites for 2014

This year marked some major changes at Storyboard: new website, new editor and new narrative territory. Our most popular posts of 2014 reflect some timely– and timeless– themes. Most notable…
Technology still demands a story

Technology still demands a story

Sam Wolson on finding the right medium for the right story. Plus: Terry Gross on 50 years of ‘Fresh Air’ and using narrative structure in interviews
The New Yorker's Sam Wolson on interactive storytelling about a mother and her trans teenager leaving the U.S.

The New Yorker’s Sam Wolson on interactive storytelling about a mother and her trans teenager leaving the U.S.

The Interactives Visual Features Editor discusses the intersection of VR, interactive design, documentary work, and reporting
10 storytelling moments from the summer

10 storytelling moments from the summer

Stories and conversations you may have missed — from Bloomberg, Texas Monthly, ‘This American Life,’ and more
Revisiting the historical narrative in a reported memoir

Revisiting the historical narrative in a reported memoir

Sara Kehaulani Goo tells a personal story about Maui. Plus: what happens when your subjects don't like your story?