Search results for “5 questions”

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"Draft No. 4": the legendary John McPhee's "master class in the writer's craft"

“Draft No. 4”: the legendary John McPhee’s “master class in the writer’s craft”

Who *wouldn't* want to learn the secrets of one of the best literary journalists of the last 50 years? Do we see any hands at all? Didn't think so.
A veteran freelancer on pitching The New York Times Magazine and more

A veteran freelancer on pitching The New York Times Magazine and more

Reporter (and editor) Paul Tullis has been on both sides of the pitching process; here, he annotates his "Into the Wildfires" proposal
The power of historical nonfiction: "Let me tell you what happened right on this spot a long time ago"

The power of historical nonfiction: “Let me tell you what happened right on this spot a long time ago”

A weekly roundup of some favorite things, for your reading and listening pleasure
Matthew Pearl and "Into the Shadows" (Filed under: You can't make this stuff up)

Matthew Pearl and “Into the Shadows” (Filed under: You can’t make this stuff up)

The historical novelist talks about his Boston Globe Magazine yarn and how he answered the question, "Who were America's first detectives?"
Reporter Tom French and "the three most beautiful words in the English language: What happens next?”

Reporter Tom French and “the three most beautiful words in the English language: What happens next?”

In a remarkable speech at the recent Power of Storytelling gathering in Romania, the Pulitzer-winning writer is true to the conference's name
How to get the attention of a senior editor at Smithsonian Magazine

How to get the attention of a senior editor at Smithsonian Magazine

Jennie Rothenberg Gritz says of story pitches she accepts: "There has to be something surprising and narratively interesting there."
Jason Fagone on Landing “The Willy Wonka of Pot” in Grantland

Jason Fagone on Landing “The Willy Wonka of Pot” in Grantland

As we launch a series about the mystical art of pitching longform stories, the longtime freelancer does the coolest thing: He annotates one of his own
Ellen Barry and "How to Get Away with Murder in Small-Town India"

Ellen Barry and “How to Get Away with Murder in Small-Town India”

The New York Times foreign correspondent talks about her sensational last story from India, in which she uses first person to unparalleled effect
Notable Narrative: The Marshall Project's Maurice Chammah and “The Accusation”

Notable Narrative: The Marshall Project’s Maurice Chammah and “The Accusation”

The reporter talks about his piece, published jointly with Esquire, on a recanted allegation of child sex abuse that had sent a father to prison
An alt-weekly editor steps up to the plate to back a freelancer's controversial story

An alt-weekly editor steps up to the plate to back a freelancer’s controversial story

Like most journalists today, Britni de la Cretaz is accustomed to being on the receiving end of comments from critical readers and opinionated trolls. As a freelance writer who frequently…