Our latest Editors’ Roundtable examines Dudley Clendinen’s “The Good Short Life,” a career journalist’s startling response to being diagnosed with ALS. In addition to two books (“A Place Called Canterbury” and “Out for Good: … Read more
Our second Roundtable of September examines “The Good Short Life,” by Dudley Clendinen. Diagnosed with ALS, Clendinen reflects on the past suffering of those closest to him and decides that he would prefer to approach death on his … Read more
The way we tell stories in print has been mostly the same for some time now. Space constraints and graphic layout have made the narrative flow a broken one. With the advent of digital devices and rich new ways of … Read more
In “Nobody Else is Jim Brown,” sportswriter Ralph Wiley constructs a profile of perhaps the greatest football player in NFL history, a man so legendary that the word legend actually applies. Written for ESPN’s Page 2, the piece shows … Read more
The final session of last month’s Mayborn Literary Nonfiction Conference offered The Washington Post’s Gene Weingarten in conversation with Brian Sweany, deputy editor of Texas Monthly. Weingarten, who does a weekly humor column for … Read more
On a bright autumn morning, a man drives into the wilderness of the Utah mountains. As he arrives, the sun glows, the clouds float, the aspens glimmer in a passing breeze, “humming a faint prayer.” In the front seat of … Read more
Adam Hochschild, a longtime supporter of the Nieman Foundation’s narrative program, published a new book last month, “To End All Wars.” A former editor of Mother Jones magazine, Hochschild lives in San Francisco and teaches writing at the … Read more
We’re fine-tuning our Editors’ Roundtable, moving toward more frequent postings and smaller groups of editors looking at each story. As part of those changes, today we highlight our second June Roundtable (if you missed the first, you can see it … Read more
How can environmental writers craft emotionally involving stories from disasters that are slow-moving and attritional, rather than explosive and spectacular? This is a particularly pressing question for our age, as the news cycle spins ever faster, as the media venerates spectacle, … Read more
“Show, don’t tell” is a mantra of narrative writers everywhere, but even the most useful adage can lose meaning with repetition. Before a lunchtime audience of writers at the Second Annual Compleat Biographer Conference on Saturday, legendary biographer … Read more