Search results for “context”

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Starting with pictures

The St. Petersburg Times’ latest narrative project started with photographer John Pendygraft’s wife giving him an assignment.  A medical reporter, she had been covering the policy issues of the health care…
Interview with Ed Kashi: Taking it beyond the media

Interview with Ed Kashi: Taking it beyond the media

We talked with photojournalist Ed Kashi about visual storytelling, advocacy journalism, and his photo series on Trans Amadi Slaughter, an abattoir on the Niger Delta. Q: At the Digest, we’ve…

The Girl in the Window

“The Girl in the Window” is the story of Dani, a child so removed from normal human community she has been labeled “feral.” In this St. Petersburg Times piece, Lane…

Beyond Rape

Newspapers struggle with representing incendiary topics in a way that explains without exploiting. Last month, The Plain Dealer’s Joanna Connors addressed sexual assault, poverty, and race in a single project.…

Let’s Die Together

In “Let’s Die Together,” which ran in The Atlantic in May 2007, strangers in Japan join online networks with the express purpose of meeting and killing themselves. David Samuels serves…

Best Men

This series was written and reported by Thomas Farragher and Patricia Wen. It recounts the experiences of a couple and their two sons. One son is straight, the other gay.…

Disposable Workers of the Oil and Gas Fields

Scenes, character, a human voice and the first person soften and enliven the investigative approach in this piece about gruesome deaths on Western oil and gas fields. Lacking clear statistical…

Casualties of Conscience

Not long after reading this quasi-narrative about U.S. soldiers who have deserted the military, we came across a piece in The New York Times about increased prosecutions of such deserters.…

Learning Their Lessons

Here’s what Sandoval e-mailed us about this story: “Most young journalists believe they have to spend six months or so to publish a quality narrative piece. But that’s not always…

Opening Up the Old Olive Trees

We liked the ways that Goelman used the first person in this piece. The self-referencing advances the story; it’s not overdone. We liked the elegant descriptions of the olive harvest,…