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Keeping you up to date on Storyboard

You might notice editors switching seats in the days ahead. In the interest of keeping readers in the loop, we want to let you know that Storyboard editor Andrea Pitzer…

“Why’s this so good?” No. 35: Malcolm Gladwell on ketchup

Malcolm Gladwell does so many things well as a feature writer that it’s embarrassing to mention them all. I’ll list a few of them anyway: Malcolm Gladwell is astonishingly quotable.…
Dahlia Lithwick on long-form, sob stories and the Supreme Court

Dahlia Lithwick on long-form, sob stories and the Supreme Court

In this week’s Notable Narrative, we took a semi-quantitative look at how Dahlia Lithwick’s story on a wrongful conviction used one person’s experience as a narrative thread to present a…
Innocent but not exonerated: Dahlia Lithwick explains

Innocent but not exonerated: Dahlia Lithwick explains

In our latest Notable Narrative, “The Exoneration of Bennett Barbour,” Dahlia Lithwick tells the story of a man wrongfully convicted of rape 34 years ago on the basis of eyewitness…
“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

So, you, a journalist, are given this ridiculous, outrageous assignment: Write a story about one of your own, a writer who betrayed your profession on a spectacular scale. It’s the…
What we're watching: Kony 2012, “BLA BLA” and the extra point

What we’re watching: Kony 2012, “BLA BLA” and the extra point

Yesterday at SXSW, a fascinating interactive animation by Quebec filmmaker Vincent Morriset called “BLA BLA” won first prize in the Interactive Art category. While we’re not sure that the treatment of…
Audio danger: transgressive voices

Audio danger: transgressive voices

[The fourth installment in an ongoing series of posts by Julia Barton about audio narratives. –Ed.]Great audio, as I’ve previously written, transports us to an imaginative place somewhere between the…

“Why’s this so good?” No. 33: Michael Paterniti’s painted ghosts

It was summer; it was winter. The village disappeared behind skeins of fog. Fishermen came and went in boats named Reverence, Granite Prince, Souwester. Whenever I find my writing drifting into…
Narrative journalism around the world: Argentina, Romania, Belgium and the Netherlands

Narrative journalism around the world: Argentina, Romania, Belgium and the Netherlands

America tends to get credit for adding narrative journalism to the literary canon. And there’s no doubt that the combination of timely reporting and timeless writing took on new and…
NPR’s Daniel Zwerdling on golden radio, Yoda parallels and the Robert Krulwich moment

NPR’s Daniel Zwerdling on golden radio, Yoda parallels and the Robert Krulwich moment

[The third installment in an ongoing series of posts by Julia Barton about audio narratives. –Ed.]A ghostly crowd of voices parades across the public radio airwaves every day: politicians and hosts,…