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“Why’s This So Good?” No. 9: Herbert Muschamp builds a metaphor

“Why’s This So Good?” No. 9: Herbert Muschamp builds a metaphor

What do Silly Putty, Superman and Marilyn Monroe have to do with architecture?Short answer: Nothing.Long answer:  Herbert Muschamp. In 1997, New York Times architecture critic Muschamp traveled to a then…
August 23, 2011
Michael Mooney on Jerry Joseph: "What person has not thought about what it would be like to relive their youth?"

Michael Mooney on Jerry Joseph: "What person has not thought about what it would be like to relive their youth?"

Our latest Editors’ Roundtable looks at Michael Mooney’s story “Blindsided: The Jerry Joseph Basketball Scandal,” from the July issue of GQ. Mooney, a staff writer for D Magazine, previously worked for…
August 5, 2011
"Why's this so good?" No. 3: André Aciman on the geography of longing

"Why's this so good?" No. 3: André Aciman on the geography of longing

Any piece about New York City has a heavyweight champion to contend with – E.B. White’s “Here Is New York” – but André Aciman’s “Shadow Cities” comes out swinging. “On…
July 12, 2011
Amy Ellis Nutt on writing a Pulitzer-winning story: tell "readers something they don't know"

Amy Ellis Nutt on writing a Pulitzer-winning story: tell "readers something they don’t know"

The Star-Ledger's Amy Ellis Nutt won this year's Pulitzer Prize for feature writing with “The Wreck of the Lady Mary,” her five-chapter story on the sinking of a scallop boat off…
May 20, 2011
Michael Paterniti on the legacy of Gitmo: “I didn’t want to turn it into some neat parable”

Michael Paterniti on the legacy of Gitmo: “I didn’t want to turn it into some neat parable”

We recently posted our latest Editors’ Roundtable, which dissected “The Boy from Gitmo” by Mike Paterniti. A National Magazine Award winner (and a seven-time finalist), Paterniti writes for GQ and…
April 7, 2011
April Editors' Roundtable: GQ dives into the personal consequences of war

April Editors’ Roundtable: GQ dives into the personal consequences of war

Stop shopping for your Easter bonnet, and put down those 1040s – it's time for a new Editors' Roundtable! This session, our editors are looking at Michael Paterniti's “The Boy from…
April 6, 2011
Isabel Wilkerson on the Great Migration, structuring an epic narrative and the challenges of writing nonfiction

Isabel Wilkerson on the Great Migration, structuring an epic narrative and the challenges of writing nonfiction

Continuing the spring flurry of awards, Columbia University and the Nieman Foundation announced last week that the 2011 Mark Lynton History Prize will be awarded to Isabel Wilkerson for her…
April 4, 2011
David Barstow on being fair, bearing witness and “doing something bigger with the story”

David Barstow on being fair, bearing witness and “doing something bigger with the story”

We spoke this week with The New York Times' David Barstow, who wrote and helped report our latest Notable Narrative, “Deepwater Horizon’s Final Hours.” The project, a fine-grained look at…
March 11, 2011
Lawrence Wright on Scientology, legal pads and creating a "universe of possible sources"

Lawrence Wright on Scientology, legal pads and creating a "universe of possible sources"

The New Yorker put the “long” in long-form this week with “The Apostate: Paul Haggis vs. the Church of Scientology,” a piece by Lawrence Wright that weighs in at around…
February 18, 2011
February Editors' Roundtable: Time magazine takes on the Tucson shootings

February Editors’ Roundtable: Time magazine takes on the Tucson shootings

The narrative selected for discussion by our first-ever Editors’  Roundtable is “The Real Lesson of the Tucson Tragedy” by David Von Drehle. Appearing in Time magazine five days after the shooting of…
February 1, 2011