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"Why's this so good?" No. 39: Gay Talese diagnoses Frank Sinatra

"Why's this so good?" No. 39: Gay Talese diagnoses Frank Sinatra

Just shoot me now.That might be a normal journalist’s reaction to news that the subject of a mega-profile for a magazine cover story has declined to be interviewed for the…
April 24, 2012
"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

Writing about the writing process isn’t easy, for good reason. Turning words into sentences and sentences into scenes is at heart a craft, yet there’s still a certain amount of…
April 17, 2012
"Why's this so good?" No. 37: Ben Hecht walks the high wire of voice

"Why’s this so good?" No. 37: Ben Hecht walks the high wire of voice

I love teaching “The Pig” because students, especially narrative nonfiction students, always freak out. “Wait, we can do this?” they want to know.Yes, you can do this and I’d like to…
April 10, 2012
Shaun McKinnon on deadline narrative, soundtrack inspiration and re-engaging readers in a saturated news story

Shaun McKinnon on deadline narrative, soundtrack inspiration and re-engaging readers in a saturated news story

To follow up on our latest Notable Narrative we flagged down Arizona Republic reporter Shaun McKinnon this week as he boarded a plane from Washington, D.C., back home to Phoenix,…
April 6, 2012

“Why’s this so good?” No. 36: Alice Steinbach and one boy’s vision

I wish I had come to this assignment when Alice Steinbach was still alive. I could have thanked her one last time for writing “A Boy of Unusual Vision,” a…
April 3, 2012

“Why’s this so good?” No. 35: Malcolm Gladwell on ketchup

Malcolm Gladwell does so many things well as a feature writer that it’s embarrassing to mention them all. I’ll list a few of them anyway: Malcolm Gladwell is astonishingly quotable.…
March 27, 2012
“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

So, you, a journalist, are given this ridiculous, outrageous assignment: Write a story about one of your own, a writer who betrayed your profession on a spectacular scale. It’s the…
March 20, 2012
Audio danger: transgressive voices

Audio danger: transgressive voices

[The fourth installment in an ongoing series of posts by Julia Barton about audio narratives. –Ed.]Great audio, as I’ve previously written, transports us to an imaginative place somewhere between the…
March 15, 2012

“Why’s this so good?” No. 33: Michael Paterniti’s painted ghosts

It was summer; it was winter. The village disappeared behind skeins of fog. Fishermen came and went in boats named Reverence, Granite Prince, Souwester. Whenever I find my writing drifting into…
March 13, 2012
NPR’s Daniel Zwerdling on golden radio, Yoda parallels and the Robert Krulwich moment

NPR’s Daniel Zwerdling on golden radio, Yoda parallels and the Robert Krulwich moment

[The third installment in an ongoing series of posts by Julia Barton about audio narratives. –Ed.]A ghostly crowd of voices parades across the public radio airwaves every day: politicians and hosts,…
March 2, 2012