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Jessica Pressler on New York, “millennium girls” and the love story that wasn't

Jessica Pressler on New York, “millennium girls” and the love story that wasn't

This week's Editors' Roundtable dives into Jessica Pressler’s story “A Holly Golightly for the Stripper-Embezzlement Age,” from New York magazine. A contributing editor and blogger for New York since 2007, Pressler…
October Editors' Roundtable No. 2: New York magazine updates an archetype

October Editors’ Roundtable No. 2: New York magazine updates an archetype

Our second October Rountable looks at “A Holly Golightly for the Stripper-Embezzlement Age,” by Jessica Pressler. Pressler introduces readers to former stripper Diane Passage, and a world in which a…
Jack Hart on “Storycraft” and narrative nonfiction as an American literary form

Jack Hart on “Storycraft” and narrative nonfiction as an American literary form

A soup-to-nuts look at narrative nonfiction, Jack Hart’s “Storycraft” breaks down different approaches to telling true stories and the components that make or break them. In writing the book, Hart…
Amy Harmon on getting readers “to think about the limits of their own tolerance”

Amy Harmon on getting readers “to think about the limits of their own tolerance”

Our latest Editors’ Roundtable looks at “Autistic and Seeking a Place in an Adult World.” Amy Harmon's story follows Justin Canha, an autistic man in his early 20s, and the…
October Editors' Roundtable No. 1: The New York Times on autism and adulthood

October Editors’ Roundtable No. 1: The New York Times on autism and adulthood

Our first October Rountable looks at “Autistic and Seeking a Place in an Adult World,” by Amy Harmon. Harmon tells the story of Justin Canha, a 21-year-old illustrator hoping to…
“Why’s this so good?” No. 15: Michael Lewis’ Greek odyssey

“Why’s this so good?” No. 15: Michael Lewis’ Greek odyssey

Last October, with the Greek bond crisis emerging as a danger to the European economy, Michael Lewis wrote a piece for Vanity Fair about an order of monks accused of…
“Why’s this so good?” No. 14: Sandra Cate on DIY cooking in a county jail

“Why’s this so good?” No. 14: Sandra Cate on DIY cooking in a county jail

Freed from the captivity of home cookery and the rarefied practice of restaurant criticism, food is now a legitimate lens for thoughtful cultural journalism. It’s also a massive revenue generator…
Dudley Clendinen on building stories from life and choosing grace in death: “I don't quibble with fate”

Dudley Clendinen on building stories from life and choosing grace in death: “I don't quibble with fate”

Our latest Editors' Roundtable examines Dudley Clendinen's “The Good Short Life,” a career journalist's startling response to being diagnosed with ALS. In addition to two books (“A Place Called Canterbury”…
September Editors' Roundtable No. 2: The New York Times on facing death

September Editors' Roundtable No. 2: The New York Times on facing death

Our second Roundtable of September examines “The Good Short Life,” by Dudley Clendinen. Diagnosed with ALS, Clendinen reflects on the past suffering of those closest to him and decides that he would…
“Why's this so good?” No. 13: Gene Weingarten peels the Great Zucchini

“Why’s this so good?” No. 13: Gene Weingarten peels the Great Zucchini

The Great Zucchini has a secret. And in “The Peekaboo Paradox,” Gene Weingarten exhumes the history that haunts the most popular children’s entertainer in Washington, D.C. The story, which ran…