Several years ago, Adam Hochschild, the acclaimed author of King Leopold’s Ghost and other nonfiction narratives, told a Vanderbilt University audience that academic writing doesn’t have to be boring. Scholars of history and science — theoretically any discipline — can use basic storytelling techniques … Read more
Recommended reading from the New York Times’ Opinionator series “Draft,” on writing: “Keep It Short,” by columnist and author Danny Heitman: To shorten my articles, I often worked through several versions, and with a merciless finger on the delete button … Read more
Pinned this week for your storytelling pleasure: pieces on a jailhouse boxer, an old triple homicide in Texas, a billion dollars’ worth of recovered European art, a one-day writing conference and organizational tips. From Recommended Reading: The Paris Review’s … Read more
“That’s all fine,’’ the L.A. film executive said briskly, “but who’s the antagonist?’’ Cut to: Me, author of a soon-to-be published biography of the 1940s/’50s wrestler and pop culture figure who called himself Gorgeous George. I’m on the phone with … Read more
This week’s theme: semi-obscure archives that might prove valuable to your narrative storytelling. On Tuesday, we highlighted Mark Berkey-Gerard‘s posts on multimedia narrative, which he warehouses at his classroom-based website, Campfire Journalism. Today, we call to your attention the archived lectures … Read more
In the book Good Prose: The Art of Nonfiction, memorably instructive lines for writers and editors appear on almost every page. The authors, the Pulitzer-winning nonfiction writer Tracy Kidder and his longtime editor, … Read more
Hearing Robert Caro talk about his work is like getting a master class in longform journalism. A Nieman Fellow, Class of 1966, Caro is the bestselling biographer of Robert Moses and Lyndon B. Johnson, … Read more
Since the first stirrings of the Nieman Foundation’s narrative writing program nearly 20 years ago, the staff has tended a treasure trove of resource material devoted to excellence in journalistic storytelling. Much of that material went online first via the … Read more
Joan Didion finds herself counting syllables. If this is part of her brilliance, and it is, it’s largely because of who she is as an observer; meticulous but detached, intimate yet removed. These paradoxes are how she draws you in. Read more
