EDITOR’S NOTE: This essay first appeared in The Cabin, a center for writers in Idaho. It is used with permission. Tomorrow, Storyboard will publish writer Kim Cross’s Survival Guide: Tips for defying … Read more
One of the things that distinguishes the coronavirus outbreak from disasters that have come before is the disorienting flood of research and information. Credit — or blame — that on the growing sophistication of science and science journalism, the … Read more
Surprising stories spring from any number of places. Investigative or narrative or explanatory stories often start with curiosity sparked by a local news story or feature. That’s what happened when an editor at Slate read a story in a … Read more
EDITOR’S NOTE: This piece is published in partnership with our friends at the Poynter Institute. It’s happening again, as it always happens with disease. Our fear of contagion has turned some among the sick, … Read more
It’s 4:08 a.m. EST on Wednesday, April 8, as I type this, and John Prine has been dead for too long. Like many of you, I went to bed a few hours ago with the news. Like some of … Read more
The anecdote is packed. Daniel Riley was writing a profile for GQ of Brooks Koepka, one of the world’s elite golfers, and he knew immediately that this would be a good scene to anchor his … Read more
Some journalistic tenets are almost sacred, among them: The story is not about us. But sometimes, the story is. Or at least the journalist is living the same story as his or her sources and readers. That is especially … Read more
Journalism is, at core, a reactive profession. Something happens; journalists react. Then they cover the counter-reaction to the reaction, and track any consequences as they dribble out. I used to think of this as the Day 1-Day 2 story … Read more
Canadian freelancer Eva Holland didn’t just report her debut nonfiction book, “Nerve: Adventures in the Science of Fear.” She lived it. For the book, she plummets out of an airplane, stands … Read more
