Impressive feat: In 2016, Jessica Rinaldi won a Pulitzer prize for feature photography and was also named a finalist in the same category for her story about a single mother from East Boston who was addicted to heroin and struggling to hold her family together.

Why's This So Good?

It came from the sewers of London: the utterly disgusting (yet fascinating) fatberg

April 12, 2018

In The New York Times Magazine's quirky "Letter of Recommendation" column, Nicola Twilley examines the charms of a monstrous subterranean clot formed by the detritus of a genteel city

Why's This So Good?

Katharine Seelye and “Life on an Island: Silence, Beauty and a Long Wait for the Ferry”

March 20, 2018

In a lyrical New York Times story that resonated with readers, the writer juxtaposes the hardship and the loveliness of winter on a remote Maine island

Why's This So Good?

Eva Holland and “Get Schooled in the No-Nonsense Art of Survival”

March 15, 2018

Writing for Outside magazine on an "Extreme Polar" camp, she decides to focus on fun -- and wonder -- instead of macho explorer suffering

Why's This So Good?

Peter Stark and “As Freezing Persons Recollect the Snow – First – Chill – Then Stupor – Then the Letting Go –”

February 22, 2018

Twenty years on, this wonderful second-person narrative about hypothermia, a writing tour de force, is still one of Outside magazine's most-read stories

Why's This So Good?

William Langewiesche and “Inside the Sky: A Meditation on Flight”

February 13, 2018

The prize-winning magazine writer's first book is a blueprint for the world as he sees it, exploring themes to come in the next 20 years

Why's This So Good?

Francisco Cantú and “The Line Becomes a River: Dispatches From the Border”

February 1, 2018

The memoir of his life with the Border Patrol combines lyricism and pain, highlighting by turns the futility, absurdity and uniqueness of his time there

Why's This So Good?

Why’s This So Good? (The wonderful) Dan Barry and “The Lost Children of Tuam”

January 15, 2018

The New York Times reporter writes, with his trademark humanity, of a terrible secret unearthed at an Irish "mother and baby" home

Why's This So Good?

“The Uncounted”: combining the power of narrative with an 18-month investigation

January 11, 2018

For The New York Times Magazine, Azmat Khan and Anand Gopal humanize the victims as they reveal undercounts of Iraqi civilian deaths by U.S. airstrikes

Why's This So Good?

“Draft No. 4”: the legendary John McPhee’s “master class in the writer’s craft”

December 21, 2017

Who *wouldn't* want to learn the secrets of one of the best literary journalists of the last 50 years? Do we see any hands at all? Didn't think so.

Why's This So Good?

Why’s This So Good? David Foster Wallace and the brilliant “Consider the Lobster”

August 1, 2017

As the Maine Lobster Festival gets ready to boil thousands of crustaceans alive again, please take a moment to bask in the splendor of the piece that maddened many Gourmet readers 13 years ago

Why's This So Good?

Sarah Lyall and (the hilarious) “Paying a Price for 8 Days of Flying in America”

July 27, 2017

The New York Times writer asks, “How did air travel, which once seemed so glamorous and exciting, turn into a sadomasochistic pas de deux between the industry and the passenger?”

Why's This So Good?

How Michelle Garcia told the story of Juárez, a city lost to violence, through its dogs

May 2, 2017

The Al Jazeera America piece, reported with Mexican reporter Ignacio Alvarado Alvarez, haunts with its indelible portrait of pets paying the price when a terrorized place goes feral