A Limerick, Ireland, back street scene in 1937.

Why's This So Good?

Why’s This So Good? (The wonderful) Dan Barry and “The Lost Children of Tuam”

January 15, 2018

The New York Times reporter writes, with his trademark humanity, of a terrible secret unearthed at an Irish "mother and baby" home

Why's This So Good?

“The Uncounted”: combining the power of narrative with an 18-month investigation

January 11, 2018

For The New York Times Magazine, Azmat Khan and Anand Gopal humanize the victims as they reveal undercounts of Iraqi civilian deaths by U.S. airstrikes

Why's This So Good?

“Draft No. 4”: the legendary John McPhee’s “master class in the writer’s craft”

December 21, 2017

Who *wouldn't* want to learn the secrets of one of the best literary journalists of the last 50 years? Do we see any hands at all? Didn't think so.

Why's This So Good?

Why’s This So Good? David Foster Wallace and the brilliant “Consider the Lobster”

August 1, 2017

As the Maine Lobster Festival gets ready to boil thousands of crustaceans alive again, please take a moment to bask in the splendor of the piece that maddened many Gourmet readers 13 years ago

Why's This So Good?

Sarah Lyall and (the hilarious) “Paying a Price for 8 Days of Flying in America”

July 27, 2017

The New York Times writer asks, “How did air travel, which once seemed so glamorous and exciting, turn into a sadomasochistic pas de deux between the industry and the passenger?”

Why's This So Good?

How Michelle Garcia told the story of Juárez, a city lost to violence, through its dogs

May 2, 2017

The Al Jazeera America piece, reported with Mexican reporter Ignacio Alvarado Alvarez, haunts with its indelible portrait of pets paying the price when a terrorized place goes feral

Why's This So Good?

In a divided land, Bruce Springsteen and the runaway American dream

March 28, 2017

The songwriter has an uncanny ability to give voice to working Americans -- more than a few of them Trump supporters. A look at his decades of storytelling about heartland hopes dashed.

Why's This So Good?

Guy Larson and “Merv Curls Lead” — it’s kind of like “The Office” on ice

February 23, 2017

In his 1999 piece on a would-be impresario of the quirky sport of curling, the Canadian writer creates a David Brent-like character: at times an insufferable blusterer, at others an insecure guy who just wants your approval

Why's This So Good?

Why’s This So Good? Ta-Nehisi Coates and “My President Was Black”

January 16, 2017

The stirring Atlantic piece made former L.A. Times columnist Sandy Banks feel proud, wistful, angry, empty and sad, but it also made her grateful for Barack Obama in ways that can’t be captured in slogans and statistics

5 Questions

5(ish) Questions: Photographer Stuart Palley and “Terra Flamma: Wildfires at Night”

January 10, 2017

The journalist talks about his remarkable (and otherworldly) chronicle of California’s never-ending season of drought-induced wildfires

Why's This So Good?

Why’s This So Good? Thomas Curwen and “The Loneliest War”

January 5, 2017

In this story on the "quiet" effects of PTSD, the Los Angeles Times writer realized that the heart of the narrative lay in the tension at home, not in the crash that brought the soldier home