Tell us your favorite books on storytelling

Plus: Robert Caro digs into his personal archives, and The Guardian's Jessica Reed shares what she's looking for in story pitches.
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Dear Storyboard community, 

Before officially joining Storyboard as editor, I went back to read the Nieman Foundation's original book on the craft of narrative nonfiction, "Telling True Stories." Edited by Mark Kramer and Wendy Call, the book includes timeless advice on reporting and storytelling from Lane DeGregory ("talk to strangers"), to Isabel Wilkerson ("there is a tremendous power differential between the reporter and the ordinary individuals we write about"), to Katherine Boo ("you will make a thousand moral decisions in the course of reporting and writing each story").  

Many books have shaped my own understanding of story. Jack Hart's "Storycraft" showed me what's possible in journalism, and reminds us to consider when we *shouldn't* use narrative in our work. More recently, "Storyworthy," by Moth StorySLAM champion Matthew Dicks, helped me break down stories to a more conversational level — how we connect through stories at the dinner table. 

Now it's your turn. Storyboard contributor Mallary Tenore Tarpley is gathering an ultimate list of books on storytelling, and we'd love your recommendations — journalism, screenwriting, podcasting, we want all of it. Email us at editor@niemanstoryboard.org to tell us what you love and what you've learned. 

Audra McDonald in "Gypsy." (Photo by Julieta Cervantes.)
Audra McDonald in "Gypsy." (Photo by Julieta Cervantes.)

Then there's the storytelling delivered from the stage. This week, we're joined by new Storyboard contributor Kara Cutruzzula, who writes about using her journalism and editing experience to try her hand at writing musicals. Here's what she learned along the way. 

Links of Note 

He is sitting at a table in the reading room of the New York Historical, surrounded by boxes of his past. There are currently around 120 boxes in the collection, an estimated 100 linear feet of material, and he still has more to hand over. The item in front of him now is a notebook from one of his interviews with Robert Moses in 1967 or 1968. Written in capital letters in the middle of the page are two words Caro would sometimes write down as a message to himself: “SHUT UP!” “I learned the importance of silence,” he says. “People have a need to fill up silence.”

Ng and her colleagues worked in ten-centimeter increments, digging and sifting. They were joined on most days by Dudley Gardner, a former professor of history and archeology at Western Wyoming Community College, and perhaps the world’s foremost expert on the massacre. He has spent more than four decades researching the Rock Springs Chinatown––at times overcoming residents’ reluctance to probe the past. “There were remnants of the community who remember having relatives that actually perpetrated the Chinese massacre,” he told me.

Keep sharing your stories, 

Mark Armstrong
Editor
Nieman Storyboard 
On Bluesky: @niemanstoryboard.org  

Send me your story, book, podcast, and documentary recommendations: editor@niemanstoryboard.org