From the Editor The art of listening Sasha Bonét on structuring a memoir. Plus: Pamela Colloff on getting unstuck, European Press Prize, and more November 14, 2025 Mark Armstrong How we reveal our character Scenes from an election week. Plus: Selling a book proposal and the value of a ‘flop’ November 7, 2025 Mark Armstrong Storytelling with humility (and teeth) The New Yorker's Burkhard Bilger goes to ‘Molar City.’ Plus: Dana Hedgpeth on history’s lessons, and a tribute to a beloved Los Angeles Times mentor October 31, 2025 Mark Armstrong ‘Surprise is magic in journalism’ Author Claudia Rowe on writing about the foster care system. Plus: Keeping your day job while publishing books with Erin Somers October 24, 2025 Mark Armstrong Susan Orlean tells her own story The New Yorker writer's new memoir, “Joyride.” Plus: Kate Sosin on covering trans issues and avoiding burnout. October 17, 2025 Mark Armstrong ‘Your story is worth telling’ Danyel Smith on journaling through life and work. Plus: National Book Award finalists, and the elements of a story pitch October 10, 2025 Mark Armstrong Scenes from a hacker house The San Francisco AI gold rush. Plus: Kari Howard Fund for Narrative Journalism, Justin Heckert's one that got away. October 3, 2025 Mark Armstrong Everybody needs an editor Michael Kruse and Bill Duryea reflect on a 16-year partnership. Plus: Telling a family's story, without everyone's participation. September 26, 2025 Mark Armstrong Finding your book’s main characters Megan Greenwell's “Bad Company,” annotated. Plus: What makes dialogue work on the page? September 19, 2025 Mark Armstrong Technology still demands a story Sam Wolson on finding the right medium for the right story. Plus: Terry Gross on 50 years of ‘Fresh Air’ and using narrative structure in interviews September 12, 2025 Mark Armstrong 1 2 3 4 5 6 7 8 9 … 20 Next
