Dear Storyboard community,
Starting this week we're featuring stories and insights from the recent 2025 Power of Narrative conference at Boston University, with reporting from new Storyboard contributors (and BU journalism students) Lindsay Shachnow, Ava Berger, and Emilia Wisniewski.
Specifically, we're digging into the craft of audio storytelling, with an inside look at "Snitch City," the serialized podcast from The Boston Globe's investigative Spotlight team, and lessons on how to write for audio, from producer (and 2024 Nieman Fellow) Julia Barton.
As Mary Schmich and I discussed last week, unlike newspaper columns, podcasts and digital media have few boundaries or constraints when it comes to space, length, and story structure. You can build a cliffhanger into each episode, or produce a series of standalone vignettes. But when it comes to budget and distribution, the constraints are clearer.
The post-"Serial" boom created an explosion of serialized narrative podcasts. This demand was also driven by the platform distributing these shows — Apple Podcasts, and later Spotify. As podcasting matured, there was pressure for more episodes, more downloads, and more growth, so we moved into a world where "always-on" chat shows became the trend. (If you had a member of the Kelce family involved, even better.)
Now, with YouTube embracing podcasters, audio hosts are turning on their cameras to capture video, too. Editing a show for both YouTube and audio can present its own storytelling challenges and compromises — how many jump cuts can I use on video before I look like a malfunctioning robot? — but the lure of the audience can be too compelling to ignore.
As algorithms and trends change, journalists and producers are looking for new ways to do impactful work: Some news organizations might consolidate their longform documentaries into an "umbrella feed" instead of offering standalone shows; others might turn their work into an audiobook.
" Where I come down is that there's a lot you can do to be a storyteller regardless of the format," Sound Judgment's Elaine Appleton Grant told me. "You can use a lot of the same storytelling techniques — you can 'narrative-ize' a chat show." While formats and platforms evolve, the core principles of reporting and storytelling remain the same.
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Links of note
- I can't wait for this one: Texas Monthly Presents is a new PBS docuseries from one of the great American magazines. The weekly show will launch May 4, with contributors including Texas Monthly's Lea Konczal, José R. Ralat, and Mike Hall.
- Jelani Cobb tells us exactly what he's doing in the opening of his profile of "Sinners" and "Black Panther" director Ryan Coogler — calling out the storytelling tropes of Marvel movies to recreate the origin story of Hollywood's hottest director. In a flashback, he takes us to "the corner of Lake Park and Grand Avenues, in central Oakland, California," where Coogler's dad first brought him to see “Boyz n the Hood” at the Grand Lake Theater in the summer of 1991.
- "To write a memoir is to accept the reality that you will need to have hard conversations not just with yourself but with your family." Storyboard contributor Mallary Tenore Tarpley offers 10 excellent tips on how to write about family for memoirs and personal essays.
- Congrats to the winners of the 85th Annual Peabody Awards, announced Thursday.
Keep sharing your stories,
Mark Armstrong
Editor
Nieman Storyboard
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