Articles

"Why’s this so good?" No. 63: Michael Paterniti and the earthquake

After a 7.0 earthquake destroyed Haiti on Jan. 23, 2010, I spent weeks reading news reports about a tragedy so massive and devastating the numbers alone overwhelmed me: more than 316,000…
Junot Díaz on imagination, language, success, the role of the teacher, the health of American literature and Star Wars as a narrative teaching tool

Junot Díaz on imagination, language, success, the role of the teacher, the health of American literature and Star Wars as a narrative teaching tool

To hear the novelist Junot Díaz talk about writing is to have your mind augured open to new ways of processing the human experience and to feel swept up in…
What we're reading: one-eyed bullfighters, Boo, drug wars, breasts, death in the Yukon and swimming-pool salesmen

What we’re reading: one-eyed bullfighters, Boo, drug wars, breasts, death in the Yukon and swimming-pool salesmen

There’s a lot of great work out there right now, people! Here are some of the stories and storytellers who’ve caught our attention lately — and why. Highlights: a Mexican cemetery…

"Why’s this so good?" No. 62: Ian Parker profiles Alec Baldwin

As far as I can tell, the New Yorker staff writer Ian Parker has no Twitter feed, no website, no LinkedIn page and no TED profile. Even for that magazine, he's pretty…
David Finkel on winning the MacArthur "genius" grant

David Finkel on winning the MacArthur "genius" grant

David FinkelDavid Finkel of The Washington Post won a MacArthur “genius” grant this week for his body of long-form narrative journalism, particularly his coverage of the war in Iraq. In…
Audio danger: Going live

Audio danger: Going live

One morning this summer, I got on the elevator with a colleague at WNYC, where I’m working as an interim producer for national programs. My elevator pal had just gotten…
"Why's this so good?" No. 61: John McPhee and the archdruid

"Why’s this so good?" No. 61: John McPhee and the archdruid

The New Journalism of the 1960s and 1970s – by Tom Wolfe, Hunter Thompson, and others – made the biggest collective splash in recent American nonfiction, and certainly enlarged our…
Notable narrative: "Fear of a Black President," by Ta-Nehisi Coates

Notable narrative: "Fear of a Black President," by Ta-Nehisi Coates

Guest-curating our latest Notable Narrative is Tom Levenson, professor of science writing at MIT and the author of four books, most recently Newton and the Counterfeiter. He chose Ta-Nehisi Coates’ “Fear…

Building blocks: Scene, detail, character

From the Storyboard archives: tips on three of the fundamentals of narrative, from a trio of accomplished writers and editors. Click through to their full essays, and in the meantime…

"Why’s this so good?" No. 60: Jeanne Marie Laskas and the empire of ice

For the past few years, GQ correspondent Jeanne Marie Laskas has explored the myriad behind-the-scenes lives that help make our first-world reality what it is today. To borrow a couple…