Articles

“Why’s this so good?” No. 25: Nick Paumgarten’s tower of terror

“Why’s this so good?” No. 25: Nick Paumgarten’s tower of terror

A few days ago I stepped onto an elevator, heading out for an afternoon coffee. The repairman was there, his tools spread out on the floor. Come on in, he…
December Editors’ Roundtable: Vanity Fair on U.S. money trouble

December Editors’ Roundtable: Vanity Fair on U.S. money trouble

Our last Roundtable of 2011 considers “California and Bust,” in which superstar business reporter Michael Lewis turns his keen eye away from analyzing European financial problems, looking instead toward the…
When journalists become authors: a few cautionary tips

When journalists become authors: a few cautionary tips

There's long-form narrative, and then there's book-length narrative. Both are "long," but a story that's 300 pages long is a different proposition, for both writer and reader, from one that's…

When I write the book: Nieman Reports on journalists who wrestle with long long-form

The Winter issue of Nieman Reports, with the theme “Writing the Book,” is now online. It includes contributions from digital publishers, narrative writers, and a passel of journalists who have…
“Why’s this so good?” No. 24: Gay Talese on Joe DiMaggio

“Why’s this so good?” No. 24: Gay Talese on Joe DiMaggio

“Do you know how George Washington died?” my girlfriend asked one evening last week. I was busy working on this piece, and in truth, I had no idea. Because after he…

Elegy for an enforcer

If you’ve been on the New York Times’ website at all this week, or even the Internet, chances are you’ve seen or heard something about our latest Notable Narrative, “Punched…
“Why’s this so good?” No. 23: William Langewiesche’s voice of experience

“Why’s this so good?” No. 23: William Langewiesche’s voice of experience

I’ve never met William Langewiesche, and I don’t know many of his secrets, but I know he and I have at least one thing in common: We’re guided by the…
Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire's Chris Jones

Gay Talese has a Coke*: reflections of a narrative legend, in conversation with Esquire’s Chris Jones

Continuing the Nieman Foundation narrative writing speaker series set up by Paige Williams, journalism legend Gay Talese appeared on campus two weeks ago in conversation with Esquire’s Chris Jones. The Harvard…
Chris Jones on reporting for detail, the case against outlining and the power of donuts

Chris Jones on reporting for detail, the case against outlining and the power of donuts

Esquire writer at large Chris Jones came to the Nieman Foundation two weeks ago as part of the Narrative Writing speakers series I started at the foundation last year, and spent a…
“Why’s this so good?” No. 22: Hank Stuever on 9-ish

“Why’s this so good?” No. 22: Hank Stuever on 9-ish

There are two stories from the immediate aftermath of Sept. 11, 2001, that to me remain better than all the others. R.W. Apple wrote a news analysis that ran on…