Author

Julia Barton

@bartona104

Julia Barton is the executive editor of Pushkin Industries, following a long career in public radio. She helped develop Revisionist History and Against the Rules, among other chart-topping shows. She’s the editor of Malcolm Gladwell’s audiobook The Bomber Mafia, Michael Specter’s Fauci, and Michael Lewis’s unabridged Liar’s Poker and companion podcast. Her 2019 series for PRX’s Radiotopia, Spacebridge, was called “dazzling” by The New Yorker.

"Poetic explorations" in a podcast from inside and outside prison walls

“Poetic explorations” in a podcast from inside and outside prison walls

The final post in the revived "Audio Danger" series gives voice to the moments and memories of imprisoned people
A true crime podcast that is more about truth than crime

A true crime podcast that is more about truth than crime

The third post of the revived "Audio Danger" series explores the reporting that revealed indigenous lives "Stolen" in a residential school in Canada
A podcaster follows a then-cop into the breach of the U.S. Capitol

A podcaster follows a then-cop into the breach of the U.S. Capitol

EDITOR’S NOTE: This month, Pushkin Industries published  “The Best Audio Storytelling: 2022,” an audiobook compendium of English-language nonfiction. The collection’s curator, Pushkin’s Julia Barton spoke with creators of work in…
A new best-of collection of audio storytelling honors narrative podcasting

A new best-of collection of audio storytelling honors narrative podcasting

Julia Barton turned her public radio career to the development of story podcasts and now revives the Storyboard series "Audio Danger"
Third Coast Conference: Narrative off the news

Third Coast Conference: Narrative off the news

Editor’s note: In her third and final dispatch from the recent Third Coast audio storytelling conference, radio producer Julia Barton examines a dilemma  journalists in every medium face: how to create good narrative…
Third Coast Conference: the invisible craft of StoryCorps

Third Coast Conference: the invisible craft of StoryCorps

Editor’s note: In her second dispatch from the recent Third Coast audio storytelling conference, radio producer Julia Barton looks at the approach the producers of StoryCorps, the non-profit oral history project,…

Third Coast Conference: Are journalism and storytelling “frenemies?”

Editor’s Note: Every other fall, hundreds of radio producers, journalists, documentarians and other audio artists gather in Chicago for the Third Coast conference to examine, explore and celebrate the world…
Audio Danger: Radio storytelling and the perils of digital permanence

Audio Danger: Radio storytelling and the perils of digital permanence

Back in the distant 1990s, This American Life host Ira Glass described a recurring dream of NPR’s Scott Simon: Simon would shoot a basketball over and over, but then it…
Audio danger: Going live

Audio danger: Going live

One morning this summer, I got on the elevator with a colleague at WNYC, where I’m working as an interim producer for national programs. My elevator pal had just gotten…
"Why's this so good?" No. 43: "Radio Diaries" on teenage drama

"Why’s this so good?" No. 43: "Radio Diaries" on teenage drama

Boxing stories leave me cold. Like many sports stories, they seem to assume an audience of fans who will be thrilled − rather than sickened − by a narrative built on grueling workouts, bloodied…