Author

Kari Howard

@karihow

I'm the woman who left a dream job as Column One editor at the Los Angeles Times because I wanted to move to Maine. Go figure how happiness works. Former editor of Nieman Storyboard. I love music almost as much as (and sometimes more than) beautiful storytelling, so expect to see that here too.

"The charm and the pain and the humanity" -- what great storytelling is all about

“The charm and the pain and the humanity” — what great storytelling is all about

A weekly roundup of some favorite things, for your reading and listening pleasure
June 9, 2017

“It’s a little facile, maybe, and certainly hard to implement, but I’d say, as a goal in life, you could do worse than: Try to be kinder.”

Why is it great? It’s graduation season, so it seemed like a perfect time to revisit this beautiful commencement speech that the writer George Saunders gave at Syracuse University four…
June 7, 2017

“He had gone into another room, to where the buffet was, after he had watched the 12 rounds when he was the heavyweight champeen of the world, back in that last indelible summer when America dared yet dream that it could run and hide from the world, when the handsomest boy loved the prettiest girl, when streetcars still clanged and fistfights were fun, and the smoke hung low when Maggie went off to Paradise.”

Frank Deford died this week, and I’m not sure sportswriters will see his like again. The beautiful rhythm of his language was some kind of wonderful. I love this bit…
May 31, 2017

“Did he kill? If he did kill, I would swear that it is with this meticulous, somewhat maniacal, admirably lucid care with which he classifies his notes, drafts his papers. Did he kill? Then it is while whistling a little tune, and wearing an apron for fear of stains.”

Why is it so great? I came across this stunning line (yes, it’s more than one sentence) in a piece in a literary journalism journal about the novelist Colette’s outings as a…
May 24, 2017

“This will happen so fast that one night he will be in the backyard, believing it a perfect place, and by the next night he will have changed and the yard as he imagined it will be gone, and this era of his life will be behind him forever.”

This famous piece by Susan Orlean is one of those stories where it’s hard to pick just one great sentence. You find one, and then another, and then another —…
May 17, 2017
Literary journalism gets some love, from "Hiroshima" to Shane Bauer's prison exposé

Literary journalism gets some love, from “Hiroshima” to Shane Bauer’s prison exposé

A weekly roundup of some favorite things, for your reading and listening pleasure
May 12, 2017

“There’s no room for hate in ice cream,” Dennis liked to remind himself.

Why is it great? We annotated this wonderful story last year, and the focus of the annotation was the rarity of humor in longform. This line makes me laugh even…
May 10, 2017
5(ish) Questions: Josh O'Kane and "The Ballad of Fogarty's Cove"

5(ish) Questions: Josh O’Kane and “The Ballad of Fogarty’s Cove”

The Globe and Mail reporter talks about his Nova Scotia story exploring the love of a place, and the sorrow over leaving when it cannot sustain you
May 9, 2017

“She was beautiful but when she tasted the water from the glass on her lectern she smiled sadly as if it were bitter for, in spite of her civil zeal, she had a taste for the melancholy – for the smell of orange rinds and wood smoke – that was extraordinary.”

Why is it great? When I moved back to New England last year after nearly a lifetime away, John Cheever’s debut novel about a quirky New England family was the…
May 4, 2017

“He sat in an old chair near a particle board pinned with the yellowed obituaries of steelworker friends who died too early, including Robert Plater. 60. Cancer. A paper target practice figure hung next to the obituaries. Its heart had been blown out.”

Why is it great? I promise this is the last you’ll see of Springsteen on this site for the foreseeable future. But I had somehow missed this story by one…
April 26, 2017