Michael Fitzgerald

The photojournalist talks about how he got unprecedented access — and images — inside the world's largest walled prison

Perhaps as much as any modern journalist, Michael Brick brought the style of Ben Hecht’s “A Thousand and One Afternoons in Chicago” into the 21st century newsroom. Hecht made the…

Kathryn Schulz of The New Yorker has pulled off a rare double, winning the Pulitzer Prize in Feature Writing after having earlier won the National Magazine Award in the same category.…

The audacious claim by the government of Bangladesh that hackers spoofed the Federal Reserve Bank of New York into giving them tens of millions of Bangladesh’s dollars has us salivating…

There’s a scene in Evelyn Waugh’s scathing journalism send-up “Scoop” where Wenlock Jakes, the world-beating American reporter (based on John Gunther of the old Chicago Daily News), is sent to the…

Josh RoilandNobody’s really happy with the term “literary journalism.” But we need to learn to love it, says Josh Roiland, assistant professor of communication and journalism at the University of…

Two reporters working for different organizations combined to create a better story

How to spark strong emotions in a story with lots of numbers and no central character

We just posted our 100th “Why’s This So Good?,” Abeer Najjar’s look at the Susan Dominus story in the New York Times Magazine, “Hana.” Nearly twice a month since June…

New York Times Magazine editor-in-chief Jake Silverstein on telling stories with virtual reality