Author

Paige Williams

@williams_paige

Paige Williams writes for The New Yorker and is an associate professor at the Missouri School of Journalism. Winner of the National Magazine Award for feature writing in 2008, and a finalist in 2011 and 2009 (shared) , she has been anthologized in five volumes of the Best American series, including twice in The Best American Magazine Writing. She is the former editor of Nieman Storyboard and has taught narrative nonfiction at Harvard, M.I.T., NYU, Emory, the University of Pittsburgh, and at her alma mater, the University of Mississippi. She was a '97 Nieman Fellow and holds an MFA in fiction from Columbia University. Her narrative nonfiction book "The Dinosaur Artist" is forthcoming, from Hachette, in Fall 2016.

Building your canon: Small-scale narrative

Building your canon: Small-scale narrative

Narrative isn’t synonymous with long-form work. A narrative journalist doesn’t need thousands of words or loads of reporting and writing time to tell a memorable story. For you hunter-gatherers of…
Kathryn Miles on tall ships, the 'boxcar' structure, finding the story, reading 'promiscuously' and putting an English Lit degree to work

Kathryn Miles on tall ships, the ‘boxcar’ structure, finding the story, reading ‘promiscuously’ and putting an English Lit degree to work

Our latest Notable Narrative is "Sunk," a detailed narrative of the deadly capsizing of the tall ship HMS Bounty during Hurricane Sandy. Kathryn Miles’ story, in Outside magazine, gave a gripping account of…
'Sunk,' by Kathryn Miles

‘Sunk,’ by Kathryn Miles

As federal safety hearings end today in the dramatic sinking of the HMS Bounty, we choose the Outside magazine story “Sunk,” by Kathryn Miles, as our latest Notable Narrative. The…
Annotation Tuesday! Ben Ehrenreich on the grim reaper, L.A. style

Annotation Tuesday! Ben Ehrenreich on the grim reaper, L.A. style

The subject of death has proven inexhaustible, from the Greeks to Hamlet to E.B. White's pig. In "The End," Ben Ehrenreich examines The Inevitable from an unexpected postmortem angle, and with a…
Editors' Roundtable: Two boys, a basketball and a 'magical' shot

Editors’ Roundtable: Two boys, a basketball and a ‘magical’ shot

The Oregonian’s Anna Griffin wrote a story last Sunday about a small but rare and memorable moment in high school sports. Deadspin set it up this way:A young man named Davan Overton in…
Work the problem: How to look at your own stories more objectively

Work the problem: How to look at your own stories more objectively

Our storytelling advice column continues: A journalist asks a question and we find an accomplished narrative writer or editor to answer it. In our first installment, Dave Tarrant of the…

Annotation Tuesday! Amy Wallace on Garry Shandling

Reading Amy Wallace's profiles is like sitting around your favorite bar with your favorite super-witty friend and talking about people over cocktails: You come for the companionship and vibe, you…

"How'd you find that story about grown men playing tag, Russell Adams?"

The Wall Street Journal’s Russell Adams wrote a story last week about four grown men who’ve spent the past 23 years playing tag. Their shenanigans started in high school, and the men have gone to…
Thomas Curwen and the brave young man

Thomas Curwen and the brave young man

Our new Notable Narrative is “A young man’s fateful dance with death,” in which Thomas Curwen of the Los Angeles Times elegantly chronicles 19-year-old Jesús García’s struggle with a brain tumor.…
Work the problem: "How do you prospect for narrative beyond the obvious?"

Work the problem: "How do you prospect for narrative beyond the obvious?"

This is the inaugural installment of Work the Problem, a storytelling advice column featuring everyday craft quandaries and a roving band of narrative sages. Today's players:>Dave Tarrant, reporter, Dallas Morning…