Paige Williams writes for The New Yorker and is an associate professor at the Missouri School of Journalism. Winner of the National Magazine Award for feature writing in 2008, and a finalist in 2011 and 2009 (shared) , she has been anthologized in five volumes of the Best American series, including twice in The Best American Magazine Writing. She is the former editor of Nieman Storyboard and has taught narrative nonfiction at Harvard, M.I.T., NYU, Emory, the University of Pittsburgh, and at her alma mater, the University of Mississippi. She was a ’97 Nieman Fellow and holds an MFA in fiction from Columbia University. Her narrative nonfiction book “The Dinosaur Artist” is forthcoming, from Hachette, in Fall 2016.
The Hurricane Sandy storylines are still unfolding, but one thing became clear on Monday as winds and water overtook New York City and New Jersey in historic proportions: Digital media deepened the transformation of the disaster narrative. Here’s some of what’s … Read more
The day I left Bucharest, the International Herald-Tribune ran a front-page story about the shambles that is Romania. After three visits there in three years, I can tell you that it is, indeed, a mess. Communism is lifted and people … Read more
Early this month, an all-star pack of North American storytellers flew halfway around the world, to Romania, to talk about narrative journalism. They took the stage before a sold-out audience and one by one talked about stories. They got into fear, … Read more
Our latest Notable Narrative is “Stowaway,” an interactive comic, published by The Atavist, that tells the story of a young Ethiopian boy, “Fanuel,” who made his way to the United States via human trafficking and perseverance. The writer … Read more
Our new Notable Narrative is a piece of comics journalism by investigative reporter Tori Marlan and cartoonist Josh Neufeld. “Stowaway,” an interactive e-narrative published by The Atavist, is the story of an Ethiopian orphan … Read more
To hear the novelist Junot Díaz talk about writing is to have your mind augured open to new ways of processing the human experience and to feel swept up in the poetics of the … Read more
There’s a lot of great work out there right now, people! Here are some of the stories and storytellers who’ve caught our attention lately — and why. Highlights: a Mexican cemetery for drug lords, a near-death experience in a bullring, a … Read more
David Finkel David Finkel of The Washington Post won a MacArthur “genius” grant this week for his body of long-form narrative journalism, particularly his coverage of the war in Iraq. In awarding … Read more
Guest-curating our latest Notable Narrative is Tom Levenson, professor of science writing at MIT and the author of four books, most recently Newton and the Counterfeiter. He chose Ta-Nehisi Coates’ “Fear of a Black President,” from The … Read more
From the Storyboard archives: tips on three of the fundamentals of narrative, from a trio of accomplished writers and editors. Click through to their full essays, and in the meantime here’s a highlight of each: … Read more
