Author

Paige Williams

@williams_paige

Paige Williams writes for The New Yorker and is an associate professor at the Missouri School of Journalism. Winner of the National Magazine Award for feature writing in 2008, and a finalist in 2011 and 2009 (shared) , she has been anthologized in five volumes of the Best American series, including twice in The Best American Magazine Writing. She is the former editor of Nieman Storyboard and has taught narrative nonfiction at Harvard, M.I.T., NYU, Emory, the University of Pittsburgh, and at her alma mater, the University of Mississippi. She was a '97 Nieman Fellow and holds an MFA in fiction from Columbia University. Her narrative nonfiction book "The Dinosaur Artist" is forthcoming, from Hachette, in Fall 2016.

Reporting and writing "Never Let Go" -- inside Kelley Benham French's remarkable series

Reporting and writing "Never Let Go" — inside Kelley Benham French’s remarkable series

Kelley Benham French’s “Never Let Go,” about the extremely premature birth of her daughter, Juniper, was included in Storyboard's Best of Narrative list for 2012, and our final Notable Narrative of the…
Annotation Tuesday! Mary Roach and "Almost Human"

Annotation Tuesday! Mary Roach and "Almost Human"

Mary Roach’s voice is so distinctive you could take her byline off her stories and her NYT best-selling books and still know who wrote them. Roach immerses herself in worlds…
"How'd you find that pickpocket story, Adam Green?"

"How’d you find that pickpocket story, Adam Green?"

GreenIn “A Pickpocket’s Tale,” in the Jan. 7 issue of The New Yorker, Adam Green told the engrossing story of professional thief Apollo Robbins, who has plucked personal items from…
What he gave: Richard Ben Cramer

What he gave: Richard Ben Cramer

CBS' coverageWhen Richard Ben Cramer died Monday, at 62, of lung cancer, the outpouring of grief and gratitude began immediately. It’s hard to find a narrative journalist or a serious…
Storyboard 2013: New year, new features

Storyboard 2013: New year, new features

Storytelling in 2013 — how will it look? Sound? How will it make us feel? Who’s doing it well, and how did they do it, and what can the rest of…
Top 10 Storyboard posts of 2012

Top 10 Storyboard posts of 2012

We welcomed thousands of new visitors to Storyboard this year along with exciting new contributors and content. Thanks for your continued enthusiasm and support, and for helping to further the…
The best in narrative, 2012: Storyboard's top picks in audio, magazines, newspapers and online

The best in narrative, 2012: Storyboard’s top picks in audio, magazines, newspapers and online

Welcome to Storyboard's first annual year-end roundup of top storytelling: 34 of our favorite pieces in audio, magazines, newspapers and online, with three of the categories guest curated by Mark Armstrong (online), Julia Barton…
The Newtown narratives

The Newtown narratives

The first of the Newtown narratives began appearing over the weekend. In the early wave, everyone was reading the Hartford Courant piece by Edmund H. Mahony and Dave Altimari, who began boldly with thunderous rounds” and…
Kelley Benham French and "Never Let Go"

Kelley Benham French and “Never Let Go”

Kelley Benham French’s three-part Tampa Bay Times series about her daughter’s extremely premature birth may be the most exquisite narrative we’ve read all year. The baby was born a “micro…
What we're reading: Stories on teenage gumption, secret clinical trials, wrongful imprisonment and the convicted murderer Jeffrey MacDonald

What we’re reading: Stories on teenage gumption, secret clinical trials, wrongful imprisonment and the convicted murderer Jeffrey MacDonald

We love December for its inevitable bouquet of great year-end stories. Lots of good stuff out there right now, including these, four of our recent favorites:Anne Hull’s poverty piece, “In…