Digital Storytelling

Whenever I go out on an assignment I get a few of the same questions from onlookers who see me with my tripod and my reasonably large video camera: “What…

[The fourth installment in an ongoing series of posts by Julia Barton about audio narratives. –Ed.]Great audio, as I’ve previously written, transports us to an imaginative place somewhere between the…

[The third installment in an ongoing series of posts by Julia Barton about audio narratives. –Ed.]A ghostly crowd of voices parades across the public radio airwaves every day: politicians and hosts,…

[The second installment in an ongoing series of posts by Julia Barton about audio narratives. –Ed.]The title of this series, “Audio danger,” is mostly tongue-in-cheek. But not in the case…

[As part of our mission to look at storytelling in every medium, Storyboard is pleased to introduce Julia Barton, who will bring us several posts in 2012 focused on developments…

The way we tell stories in print has been mostly the same for some time now. Space constraints and graphic layout have made the narrative flow a broken one. With…

We recently talked by Skype with David Dobbs about the mystery that began with his mother’s dying wish. Dobbs’ years of efforts to solve that mystery eventually became “My Mother’s…

What if your hometown disappeared, literally vanished from the map? How would you hold onto it? Would the community of people who had lived there continue? "Welcome to Pine Point"…

In a bit of serendipitous surfing last fall, I stumbled onto “What Happened Here?” a presentation by Harvey Smith and Matthias Worch at the 2010 Game Developers Conference in San…

Lisa Mullins, chief anchor and senior producer for Public Radio International’s “The World,” spoke with Storyboard by phone last week about taking a narrative approach to interviews. We included some…