Story Craft

Literary Forensics: How to edit (and self-edit) from the inside out

Literary Forensics: How to edit (and self-edit) from the inside out

Here is a self-editing origin story:I was back from my first truly big reporting assignment, which was to cover the 1984-85 famine in the sub-Sahara. I was exhausted, emotional about…
How a lifestyle reporter tamed the tiger of Twitter

How a lifestyle reporter tamed the tiger of Twitter

The behemoth of Twitter has been a game-changer for journalism. It has become a tool for breaking stories, making — or breaking — careers, calling attention to issues, and giving…
Cutting through numbing numbers with electrified writing

Cutting through numbing numbers with electrified writing

For many Americans, COVID news has joined the thrum of everyday life. But Charles Pierce warned readers in a recent newsletter the crisis shouldn’t be allowed to be part of…
How listening to foreign languages can enrich your writing

How listening to foreign languages can enrich your writing

An author and essayist listens to stories in in their native tongues to hear new rhythms, phrasing and metaphor
A 9/11 survival story: Honoring accuracy and voice in eyewitness accounts

A 9/11 survival story: Honoring accuracy and voice in eyewitness accounts

Writing scholar Roy Peter Clark reprises a cousin's escape story, and finds lessons for writers who help people recount personal stories
From Sept. 11 to COVID: Using the personal to write the global

From Sept. 11 to COVID: Using the personal to write the global

How do you write about a shared event that changes the world, but that we each experience personally? And how do you then share that personal experience back to the…
A panoramic approach to a book about the Sept. 11 boat lift

A panoramic approach to a book about the Sept. 11 boat lift

In “The Art of Description: World into Word,” Mark Doty writes that Proust endeavored to “dilate the sentence toward its outer limit, so that one would feel the blur of…
Pitching ProPublica's Local Reporting Network: Focus on sources and impact

Pitching ProPublica’s Local Reporting Network: Focus on sources and impact

"Why does this story need to be told here, in this community? And why does this story need to be told now?" says ProPublica’s managing editor for local
#6 rule of pitching: Stay focused

#6 rule of pitching: Stay focused

A good pitch is not a scattershot, but a clearly stated central idea or question that is fresh, relevant, and a fit for the publication
Sage writing advice from the editor of Column One

Sage writing advice from the editor of Column One

“If you know what you want to say, you’ll figure out how to say it.”That’s what Steve Padilla, editor of Column One at the Los Angeles Times, told a virtual…