From Nieman Reports

From the caress of love to the fists of fear

FROM THE ARCHIVES: Exposing the scourge of domestic violence
Beyond Boko Haram: Pictures from Nigeria

Beyond Boko Haram: Pictures from Nigeria

Photojournalist Rahima Gambo invited schoolgirls to collaborate with her to create images reflecting intimate moments of joy and playfulness that challenge our perceptions of victimhood and war
What Journalists Need to Know About Writing Screenplays

What Journalists Need to Know About Writing Screenplays

Narrative writers on the similarities—and crucial differences—between journalism and screenwriting
The making of binge-worthy serial narratives, from "S-Town" to "Framed"

The making of binge-worthy serial narratives, from “S-Town” to “Framed”

Podcasts and print alike are reinvigorating a form of storytelling that Dickens and Homer used to hook readers: "to be continued..."
Shifting the Focus

Shifting the Focus

Short, powerful documentaries are on the rise as news outlets compete for hearts and minds

“Shoot the picture. Don’t shoot the picture.”

As the 1960s came to an end, America was on the brink of a revolution, with the ascendant counterculture challenging nearly every aspect of American society at home while the…
The Power of Oral History as Journalism

The Power of Oral History as Journalism

First-person reports about Bill Cosby and Chernobyl bring new attention to an old form of storytelling
Journalism and Art: Complementary and Collaborative Storytelling

Journalism and Art: Complementary and Collaborative Storytelling

As journalists use art to bring stories off the page, artists adopt reporting techniques to address social issues
Harnessing the Power of Video Games for Journalism

Harnessing the Power of Video Games for Journalism

You’re looking at a map of New York City when a red stick figure drops on the corner of Nostrand and Atlantic in Brooklyn. “Lauren is having a heart attack!”…

E.L. Doctorow: “There is only narrative”

The late historical novelist visited the Nieman Foundation in 1977, where he explained why there might be less of a difference between fiction and non-fiction than journalists expect