Short Takes

What we’re watching: highlights from this year’s Webby Awards honorees

For our latest roundup of visual storytelling, we’ve selected some entries from the 15th Annual Webby Awards Official Honoree Selections announced yesterday. The following stories made the first cut but did…

What we're reading: underground art, sleepy shrinks and killings by a CIA contractor in Pakistan

This week's installment is a grab bag, offering both comedy (a courtroom debate over what exactly a copying machine is) and tragedy (the tsunami in Japan). These stories' styles also…

"Long-form is absolutely not dead": insights from ProPublica, "Frontline," The New Yorker and "This American Life"

The New School and ProPublica co-hosted a panel on long-form journalism last night at The New School’s Tishman Auditorium in New York City. David Remnick of the The New Yorker, Ira…

What we’re watching: a town washed away, satellite images and covering conflict

With Muammar Qaddafi's efforts to suppress armed rebellion in Libya and the events unleashed by the massive earthquake in Japan on Friday, it’s a wonder that those of us not involved…

What we're reading: death in all its guises

A week into March, we're eager for spring, but the narrative stories we've unearthed lately consistently offer up darker themes that go against the promise of the season. We've rounded…

What we’re watching: picturing mercy, breaking down remixes, and garage fighting with keyboards (really)

You bulked up your movie-watching to prepare for the Oscars, and now they’re over. What next? If you’re pining for some new things to see, we’ve got some options for…

What we’re reading: the long arc of reporting on Scientology, a different kind of drug war, and a new narrative collaboration

The long-form buzz this last week has been all about Lawrence Wright’s piece on Scientology for the New Yorker, “The Apostate.” It’s ostensibly a profile, but it’s also investigative journalism and…

What we’re watching: two takes on documentary

Lately, we’ve been pondering the full range of documentary projects. From a storytelling standpoint, “Hell and Back Again” represents one end of the spectrum. The film, which won the documentary…

Robert Caro, Stacy Schiff, Diane Ackerman and more: narrative conferences and workshops in 2011

Was one of your resolutions in 2011 to become a better storyteller? If so, here are a few conferences and workshops slated for the coming months that can probably teach…
Calling all writers and fans of narrative: submit stories to our new Editors' Roundtable

Calling all writers and fans of narrative: submit stories to our new Editors’ Roundtable

After three weeks of ice, you’ve watched every “Law & Order” spinoff in syndication from inside your snow fort. The long weekend is over, and you’re looking out the window through…