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"Why's This So Good?" No. 103: Michael Brick and "Dusk of the Drummer"

“Why’s This So Good?” No. 103: Michael Brick and “Dusk of the Drummer”

This is the second of ten stories Storyboard will post from a new collection honoring Michael Brick [see our 5 Questions on the project], each featuring an introduction by a writer who…
"Why's This So Good?" No. 102: Michael Brick and "A Hipster Quits Williamsburg"

“Why’s This So Good?” No. 102: Michael Brick and “A Hipster Quits Williamsburg”

This is the first of ten stories Storyboard will post from a new collection honoring Michael Brick [see our 5 Questions on the project], each featuring an introduction by a writer…
Annotation Tuesday! Jill Lepore and "The Prodigal Daughter"

Annotation Tuesday! Jill Lepore and “The Prodigal Daughter”

The historian and New Yorker writer on breaking her rule against writing personal essays and why journalists must use history with caution

Annotation Tuesday! Jenna Pirog on Virtual Reality in “The Displaced”

A good story transports its audience to the scene of the action. The classics of narrative nonfiction are memorable because they find the words that put the reader in the…

“Why’s This So Good?” No. 100: Susan Dominus and “Hana”

Refugee children usually appear in the news media because they’ve died in a shocking accident, or they’re seen as a threat to the social order or the security of a…
Best of Storyboard: Reader Favorites for 2014

Best of Storyboard: Reader Favorites for 2014

This year marked some major changes at Storyboard: new website, new editor and new narrative territory. Our most popular posts of 2014 reflect some timely– and timeless– themes. Most notable…
A firsthand account from the Texas floods

A firsthand account from the Texas floods

Plus: Line Vaaben's visit to a palliative care unit, and Hua Hsu on AI's impact on college writing
How to tell stories about life and death (and everything in between)

How to tell stories about life and death (and everything in between)

Line Vaaben and photographer Jacob Ehrbahn visit a palliative care unit for terminally ill patients for the Denmark-based outlet Politiken
Different ways of seeking truth

Different ways of seeking truth

Nadia Reiman on the process behind "This American Life," and Irvin Weathersby Jr.'s deeply personal approach to confronting history.
Nadia Reiman on telling stories of immigration for ‘This American Life’

Nadia Reiman on telling stories of immigration for ‘This American Life’

The reporter and editor for ‘TAL’ reflects on the show’s unique voice, as well as her own experience with immigration