Search results for “5 questions”

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How to interview, structure, choose your medium, edit for sound, identify the story arc and more

How to interview, structure, choose your medium, edit for sound, identify the story arc and more

The new student of multimedia narrative may want to bookmark an archive on digital storytelling by Mark Berkey-Gerard, who teaches online journalism at Rowan University, in New Jersey. A Columbia…
Robert Caro, Part 2: On work habits, enthusiasm and minimizing distraction

Robert Caro, Part 2: On work habits, enthusiasm and minimizing distraction

On Thursday, we ran Part 1 of Robert Caro’s conversation with the Washington Post’s Anne Hull, on reporting, sacrifice, sources and finding book projects. Today, in the second and final part,…
Annotation Tuesday! Jeff Sharlet and the iron closet

Annotation Tuesday! Jeff Sharlet and the iron closet

Last week, on the eve of the Sochi Olympics, GQ published "Inside the Iron Closet," a Jeff Sharlet story that revealed disturbing details about what it's like to be gay in…

The big idea: How to find enterprising stories

Editor’s note: A great many Storyboard readers are journalism students, nonfiction writers in MFA programs, and beginning reporters and editors. The pieces in our Essays on Craft department cater to such readers but also…
Storytelling and policy: The Washington Post's new narrative project

Storytelling and policy: The Washington Post’s new narrative project

The expansive projects that Washington Post Executive Editor Marty Baron announced today is good news for narrative journalists in two ways: The paper plans to expand the Sunday magazine (we…
Annotation Tuesday! Buzz Bissinger and "The Killing Trail"

Annotation Tuesday! Buzz Bissinger and “The Killing Trail”

Buzz Bissinger’s “The Killing Trail” — his unremittingly bleak 1995 account of “fag-bashing” in Texas — was his first story for Vanity Fair. (He is still a contributor, and has…

The journalist and Dr. V

To be a journalist on Twitter in the past four days has meant taking part, one way or another, in one of the more heated story dissections in recent memory.…

“Why’s this so good?” No. 88: Katherine Boo and the marriage cure

Katharine Boo begins her 2003 New Yorker piece “The Marriage Cure” with one of my all-time favorite opening lines: One July morning last year in Oklahoma City, in a public-housing project named…
Roundup: 2013 Best of Narrative Storytelling in Journalism

Roundup: 2013 Best of Narrative Storytelling in Journalism

For our second annual Best of Narrative roundup, our selectors reported an anguishing task: so many great pieces, so few berths. Enjoy these top picks from 2013. And Happy New…
Annotation Tuesday! Lillian Ross and Ernest Hemingway

Annotation Tuesday! Lillian Ross and Ernest Hemingway

It’s easy, now, to see Lillian Ross’s 1950 New Yorker Profile of Ernest Hemingway for what it is: a masterpiece. But 63 years ago, this wasn’t so obvious. Ross, as…