Search results for “5 questions”

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"Why's this so good?" No. 43: "Radio Diaries" on teenage drama

"Why’s this so good?" No. 43: "Radio Diaries" on teenage drama

Boxing stories leave me cold. Like many sports stories, they seem to assume an audience of fans who will be thrilled − rather than sickened − by a narrative built on grueling workouts, bloodied…
What we're following: truthiness in narrative

What we're following: truthiness in narrative

It’s been a volatile few months for ethics in storytelling, what with the unprecedented “This American Life” retraction of monologist Mike Daisey’s Apple story, and with the unfurled furor over…
Wright Thompson on identity, clarity, editing, voodoo and the deadline virtues of Lionel Ritchie

Wright Thompson on identity, clarity, editing, voodoo and the deadline virtues of Lionel Ritchie

We chose Wright Thompson’s ESPN.com piece “The Kid Who Wasn't There” as our latest Notable Narrative because the story added a chilling layer to the odd life story of Guerdwich…

Wright Thompson and the lingering saga of a lone star

Our new “Notable Narrative,” “The Kid Who Wasn’t There,” by Wright Thompson of ESPN.com and ESPN The Magazine, unearths the other half of the strange tale of Guerdwich Montimere, a…
"Why's this so good?" No. 39: Gay Talese diagnoses Frank Sinatra

"Why's this so good?" No. 39: Gay Talese diagnoses Frank Sinatra

Just shoot me now.That might be a normal journalist’s reaction to news that the subject of a mega-profile for a magazine cover story has declined to be interviewed for the…
Harding in the house: a Pulitzer-winning novelist on rhythm, revision, rejection and a hundred other things

Harding in the house: a Pulitzer-winning novelist on rhythm, revision, rejection and a hundred other things

We promote narrative nonfiction here at Storyboard but occasionally look outside the genre for storytelling inspiration. Paul Harding, who won the 2010 Pulitzer Prize for fiction for his novel “Tinkers,”…
"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

"Why's this so good?" No. 38: Walt Harrington deconstructs Rita Dove

Writing about the writing process isn’t easy, for good reason. Turning words into sentences and sentences into scenes is at heart a craft, yet there’s still a certain amount of…
Getting the story: Luke Dittrich and the tornado

Getting the story: Luke Dittrich and the tornado

In Thursday’s post we excerpted nice lines from the five National Magazine Award finalists in feature writing. These included Luke Dittrich’s “Heavenly Father!...,” from Esquire, about survivors of the Joplin,…
Shaun McKinnon on deadline narrative, soundtrack inspiration and re-engaging readers in a saturated news story

Shaun McKinnon on deadline narrative, soundtrack inspiration and re-engaging readers in a saturated news story

To follow up on our latest Notable Narrative we flagged down Arizona Republic reporter Shaun McKinnon this week as he boarded a plane from Washington, D.C., back home to Phoenix,…
“Why’s this so good?” No. 33: Michael Paterniti’s painted ghosts

“Why’s this so good?” No. 33: Michael Paterniti’s painted ghosts

It was summer; it was winter. The village disappeared behind skeins of fog. Fishermen came and went in boats named Reverence, Granite Prince, Souwester.Whenever I find my writing drifting into…